|
June 19, 2013
June 14, 2013
June 13, 2013

Very excited about Below, the upcoming game from Capy, the co-creators of Superbrothers: Sword and Sorcery EP

Beautiful, wonderfully animated piece by Pinata for McDonald’s
June 5, 2013
June 4, 2013 
Tonight’s the big night, See No Evil’s June event! Join us for an evening of inspiration with VFX aficionado’s, Analog Studio.
Free entry, prizes & good times!
June 3, 2013 
The #VFX conversation continues with the Collider 2013 VFX Town Hall. In-room and live streaming audience members can join us and vote on key issues at 6:00 PM EST, Monday, June 10th.
June 1, 2013
May 28, 2013 
AENY meets this Thursday, May 30 with Senior AE Product Manager Steve Forde and all things Creative Cloud AE. Sign up here.
May 24, 2013
May 21, 2013
May 15, 2013 
June 4th is almost upon us which means it’s nearly time for See No Evil’s! This time we are joined by VFX aficionado’s Analog Studio.
Free entry, prizes & good times!
May 13, 2013 
Promotive.tv is focused on showcasing outstanding television marketing and promotions work. Looks interesting.
May 10, 2013
May 9, 2013
May 6, 2013
May 2, 2013
May 1, 2013

The speaker lineup and master classes for Collider look pretty interesting. Who’s going? UPDATE: Motionographer’s Michelle Higa Fox will be on the VFX panel. Use promo code COLLMotion for 10% off.
April 29, 2013 
Mesmerizing editing and wonderful typography in the latest reel from IAAH (Nessim Higson).
April 28, 2013 The Line pull together an impressive team to bring us an eerie and beautifully crafted tale of misadventure.
|
becoming human…?
interesting approach
a little pretentious this manifesto of a better day…
im pretty sure those robots would have a lot cooler gadgets built into them than that sony crap. And who says robots won’t be able to feel anything? garbage ad.
This sucks.
Not the company that made the ad. But Sony.
They started to looks like Microsoft, big money but short on ideas.
Hey do you guys think Sony thinks of these ideas? Its the ad agency which thinks up this type of concept, sony approves it and signs the cheques and then its passed on to a production house to make it look spiffy. Which Fuel and Josh Baker have defintly done, congrats on a nice “motion” job.
any1 notice the “J Bkr1″ signage on the train as it entered left to right.
been seeing this on tv a bit here in Singapore, i didn’t know people shared the same sentiment; nice execution but the proposition that using a Sony device ‘frees’ you falls flat and leaves a bitter after-taste for me.
Obviously not much there to work with scriptwise… but seems as though the posthouse and director have done amazingly. Well done people. Cant wait to see the next Josh/Fuel collaboration.
Does anybody know the name/artist of the soundtrack that was used for this piece?
It was an original piece done especially for it by a Singapore company called Drum.