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June 19, 2013
Do I Wanna Know? Nice, clean and simple. New videoclip for Artic Monkeys by British wonderboy David Wilson.
June 14, 2013
June 13, 2013
Very excited about Below, the upcoming game from Capy, the co-creators of Superbrothers: Sword and Sorcery EP June 5, 2013
June 4, 2013
Tonight’s the big night, See No Evil’s June event! Join us for an evening of inspiration with VFX aficionado’s, Analog Studio. June 3, 2013
June 1, 2013
May 28, 2013
May 24, 2013
May 21, 2013
A heartbreaking and skillful tour-de-force from the west coast Buck office. With an emotive score by Antfood this piece tackles the difficult subject of child sexual abuse. May 15, 2013
June 4th is almost upon us which means it’s nearly time for See No Evil’s! This time we are joined by VFX aficionado’s Analog Studio.
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May 13, 2013
May 10, 2013
May 9, 2013
Estudio Ronda is back with these awesome funky characters for Nick! Impossible not to love it! May 6, 2013
May 2, 2013
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May 1, 2013
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April 29, 2013
April 28, 2013
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Fuel Builds a Robot World for Sony
Okay, we’ve all seen several videos of robots wandering around urban landscapes, but this Sony spot from Fuel directed by Sydney Film Company‘s Josh Baker actually has a fairly nice concept behind it. Fuel’s Ben Kovar is the artist behind the robot design, blending an AIBO-ish likability with an industrial era melancholy that works really well for the spot’s message.
8 thoughts on “Fuel Builds a Robot World for Sony” |
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becoming human…?
interesting approach
a little pretentious this manifesto of a better day…
im pretty sure those robots would have a lot cooler gadgets built into them than that sony crap. And who says robots won’t be able to feel anything? garbage ad.
This sucks.
Not the company that made the ad. But Sony.
They started to looks like Microsoft, big money but short on ideas.
Hey do you guys think Sony thinks of these ideas? Its the ad agency which thinks up this type of concept, sony approves it and signs the cheques and then its passed on to a production house to make it look spiffy. Which Fuel and Josh Baker have defintly done, congrats on a nice “motion” job.
any1 notice the “J Bkr1″ signage on the train as it entered left to right.
been seeing this on tv a bit here in Singapore, i didn’t know people shared the same sentiment; nice execution but the proposition that using a Sony device ‘frees’ you falls flat and leaves a bitter after-taste for me.
Obviously not much there to work with scriptwise… but seems as though the posthouse and director have done amazingly. Well done people. Cant wait to see the next Josh/Fuel collaboration.
Does anybody know the name/artist of the soundtrack that was used for this piece?
It was an original piece done especially for it by a Singapore company called Drum.