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February 10, 2012 This is the teaser for Colosse, A Wood Tale — Hornet‘s sweet new short soon to come, directed by Yves Geleyn. As usual, they’re sharing lots of behind the scenes goodies! Comments Designer and Creative Director, Izik Roitman, packs a wallop with a solid portfolio at Roitman.tv. Comments Toronto based illustrator, W. Scott Forbes turns his gorgeous illustrations into a cinematic and carefully composed tale of adultery in the Hollywood Hills. Comments February 9, 2012 Stimulant has created LoopLoop, a visual musical sequencer that runs on the Sifteo cubes. LoopLoop uses an animated visual language as well as touch, motion, and placement of the cubes to create music. Very cool. Comments February 8, 2012 Istanbul creative agency Antilop created this audio-visual and interactive installation for Coca-Cola’s 125th Anniversary Exhibition’s Future Room concept for Turkish modern-art museum santralistanbul. Comments Check out these five short, sweet and video-artsy pieces by Canadian motion designer Nicolas Ménard: Futile Devices. Comments TONIGHT 7pm See No Evil presents an evening with BAFTA nominated David Prosser & Kristian Andrews from StudioAKA. Free entry, prizes, and music provided by Hear No Evil. Comments February 7, 2012 Bold patterned designs on Gretel’s classy visual package for Vh1 Critics’ Choice Movie Awards 2012. Comments February 6, 2012 Cause & Effect: Phenomenal Handclap Band “The Right One” Comments John Whitney: Permutations Produced in 1966. Written in GRAF and FORTRAN, and recorded in black and white from the monitor of an IBM 360 mainframe. Color was added afterwards using an optical printer. Comments Curtis Baigent updates. Comments February 5, 2012 Trailer for Joseph Pierce’s new short The Pub is online. More stills and some photos from the shoot on his Flickr. Comments February 4, 2012 Shilo revamps their website with some new work and their own Instagram feed. Comments February 3, 2012 London-based production studio Nearly Normal construct a brooding and introspective short film using papercraft models in The Wolf I Used To Be. Comments Audiovisual design studio No-Domain put together this refreshing video piece titled Lullaby Crocodile. Comments For the exhibition at the Royal Castle in Warsaw, Poland, Novinastudio created this animation to tell the story of the famed castle: The Royal Castle – from Destruction to Reconstruction. Comments February 2, 2012 Arno Salters & Stink Digital for Wrangler Comments Herb Lubalin demystifies the process and opens up about the creation of his famed PBS logo. Comments Straight from the AT&T vault, Saul Bass’s 26 Minute pitch video to AT&T, introducing the new look: the largest corporate identity design in American history, at the time. Comments Director Vinicius Costa updates his website with a range of surreal and whimsical works. Comments February 1, 2012 New shop on the block, Sebas and Clim, pop onto the scene with Tiny Story: a spiffy little motion piece to celebrate the launch of their official website. Comments Animator Alasdair Willson hits a grand slam with a fresh, new website packed with big-name projects. Comments Looking forward to the full short, Murder. Comments Watch a five-year-old identify an array of corporate logos and offer insight into their brand in Fresh Impressions on Brandmarks (from my 5-year-old). Comments Filmmaker Danny Cooke has documented the dying art of letterpress in a short film titled Upside Down, Left to Right: A Letterpress Film. Comments



VH1 Rock Honors Posted by Eric Edwards New from Ugly Pictures, the creators of Battle of the Album Covers, comes a hard-pumpin set of promo spots for the 2007 VH1 Rock Honors Awards Show. The raw retro stylings of these spots are beautiful and energetic. Each matches the tone of the band it illustrates. These spots, directed by Ugly Pictures and designed and animated by Matt Smithson and Daniel Oeffinger, are apparently the result of a request from VH1 to recreate their famous “Battle of the Album Covers” animation for the awards show. Well, they’ve definately gone beyond that and taken it to the limit (one more time). The result is an amazingly illustrated 2.5D world that is so well executed it looks as if it exists somewhere between traditional 2d and 3d animation (outside the realms of AE). Check em’ all out. Genesis, ZZtop, Heart, and Ozzy. Posted on 14 May 2007 \| Tags: miniatures kurt Outside the realm of AE? http://www.digitalfiction.com KGB I think by that he meant that some of the stuff looks like it was created in a 3D app(Ex. 3ds Max, c4D, Bryce(jk jk)) http://www.digitalfiction.com KGB BTW…”Heart” is my favorite….they look great. kurt Ohhh, hell yeah, bryce. I’m going to work exclusively in Bryce from now on. And SuperPaint twead looks like AE to me http://www.oeffinger.com/ daniel don’t forget adam, yoram, and viet! even though viet was mostly drinking beer in the back and watching re-runs of Asian Baywatch. http://www.gra-phix.com/ Joe Clay Does anyone else wonder why the bat head was stitched onto what appears to be a cockatoo in the Ozzy version? I mean I guess it’s supposed to be the bat head Ozzy bit off, but why is it on a cockatoo? http://www.gra-phix.com/ Joe Clay By the way, just because Bryce isn’t mainstream I wouldn’t diss it too much. I’ve seen some excellent work come out of Bryce when people have pushed it past its limits. Of course, I’d never use it for this type of work. I’m just sayin’ is all :) http://www.gra-phix.com/ Joe Clay I’d also like to say that I’ve only found one good gallery of bryce images, and that was about 8 years ago so 3D standards were somewhat lower. Brett I wonder if on a TV someone will notice that one of the heart mermaids on the second mountain disappears about halfway through the video. Probably didn’t want to render out another 3-d scene in AE. If only there was a render farm for Adobe products.