Call for Entries: AIGA 365 Design Competition
Call for Entries: AIGA 365 Design Competition
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November 2, 2011
Comments
October 31, 2011
October 28, 2011
October 27, 2011 October 26, 2011 Nelson Boles is back! His latest project, Little Boat, will put a smile on your face. I guarantee. New short by Jeremie Rozan. Sexy, and beautifully composed. Bring back those long summer days. (NSFW) October 25, 2011
October 24, 2011
October 23, 2011
October 22, 2011 Spilledkarma is a comprehensive overview of the VFX design, motion and photography works of Linas Jodwalis. October 21, 2011 Check out the behind-the-scenes and rough cut of the title sequence, directed by Jim Le Fevre, for the forthcoming Holy Flying Circus. A mixture of live-action, puppetry and stop-motion has resulted in the super-cute The Panda Rabbit, by Randy D. Rosario — his debut film as a director/animator. Check out also the making-of video and his blog. Plenty updates with a few new projects. My personal favorite of the bunch is the piece for Acumar Institucional. October 18, 2011 Mourir Auprès de Toi (To Die By Your Side) is a fantastic stop-motion film, the result of a collaboration between Spike Jonze and the French designer Olympia Le-Tan. Check out also the making-of. Fleur and Manu create an incredibly beautiful and filmic music promo for M83. October 17, 2011 Marcel Ziul & Marcos Vaz joined forces as Superlativ to create this solid graphics package for Copa America 2011. October 14, 2011 | ||
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Call for Entries: AIGA 365 Design Competition
The votes are in! We’ve updated the Studios and Prodcos on the Cream O’ the Crop.
The blogfolio of Brian Alvarez, recent vfx/motion design graduate from SCAD

Those damn Supinfocom kids do it again! Gary, a short film created by Clement Soulmagnon, Yann Benedi, Sebastien Eballard and Quentin Charillet is a unique vision of a boy struggle with his sexual coming of age. In a time when we are so used to crispy 3d animations with cutesy round beavers and big eyed rabbits as the main characters, that only emulate what Pixar churns out on a yearly basis, I find animations with this illustrative style and somewhat risque storyline to be a far cut above the rest.The Supinfocom and Gobelins students have learned a very hard and important lesson with their software and that is to not let it dictate their style. With each animation that comes out of these schools I find that style exploration is a lengthy process and then they bend the software to meet their needs.
I was able to get in touch with some of the crew and ask them some questions about their film. Its a long interview but make sure to read it, there are some gems of information and techniques about their production not to be missed. Read it here.
Make sure to go to the official Gary website to check out images of their lengthy design and research process. Also if you are wondering, Clement is in Paris working as a young director with Gary Levesque under the name, Viking & Viking. Yann is in London working as a director and illustrator. Sebastien works as a TD and lead animator for Mathematic in Paris and Quentin is freelancing as a 3d animator.
Scintillation is a remarkable experimental piece by young director Xavier Chassaing. This piece stands on it’s own purely for its visuals, but the technique and craft that went into the production sets this film apart. What looks like film is in fact 35,000 photographs with a mix of 3d mapped projections. Being a young director, Xavier doesn’t have the facilities and financial backing that a commercial piece will grant. Instead he had to work under what he calls “the classic dogma which is ‘What can you do with what you have…’” I think this sums up Xavier’s process pretty well. Here is what he had to say to me about his technical process for Scintillation:
What I have was an apartment, a small DSLR camera, a small computer and a small videoprojector. I also made a contraption who looks like a motion control but with the particularity of moving extremely slow who allowed me to take sequences of pictures with long exposure. (1frame per second, with 1 second of exposure). Even the best camera can not compete with this kind of sensitivity if they shoot at normal speed. So, I did everything myself from the 3d animation that I project on object, building the machine, the editing etc..
Built a contraption that acts like a motion control!? Yeah, wow. Xavier also enlisted Mathieu Caulet to help color grade on a flame in the end and worked closely with sound designer Fedaden throughout the entire process to score his piece.
Scintillation reveals that cash flow isn’t necessarily the foundation for a great project. In cases when you have nothing, a little ingenuity can make a diamond out of shit. This is an important thing to remember in these times when budgets are being slashed and we all have less to live under the dogma of “what can you do with what you have”?
Thanks for the tip Garry
There is not much info yet on these eight fully-CG spots for the Lexus RX, but i’m sure that Logan’s name on the director’s chair means you guys probably don’t wanna miss this!
This is a cool idea. Help make it happen!