Gretchen Nash

Gretchen Nash’s fantastic portfolio. Another great output from CalArts with a mix of print, motion and book design. She is currently staff at Stardust LA.
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October 13, 2011 October 12, 2011 Hey Berlin Mographers, this animation & motion design meetup is happening next week, on Oct 18th at LEAP, Karl-Liebknechtstrasse 13. A passionate bear for Canal + Produced by 75, directed by Dutch director Matthijs van Heijningen for BETC Euro RSCG. CG by Mikros Images October 11, 2011 “Rendering Synthetic Objects into Legacy Photographs” offers an interesting new approach to compositing. (Thanks, Ben!) Also: Check out our round-up of other interesting papers from SIGGRAPH 2011. October 10, 2011 Carlos De Carvalho directs this haunting promo for Timber Timbre’s “Do I Have Power.” (Thanks to Dom for the tip!) October 7, 2011
October 4, 2011 Wednesday, October 26 @ The Book Club in London, raise a little money and watch a few films at the Screen Social. Submit your films here. October 3, 2011
September 30, 2011 Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14) September 29, 2011 Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info. September 27, 2011 Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.
September 26, 2011
September 21, 2011 The awesome Electric Projected needs our support for the reboot. Check out their kickstarter page and donate what you can to keep an amazing passion project such as this alive.
September 20, 2011
September 19, 2011
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Gretchen Nash’s fantastic portfolio. Another great output from CalArts with a mix of print, motion and book design. She is currently staff at Stardust LA.
Eli Mavros, Editor/Director/Writer, Updates
Spring is here, and I’m falling in love all over again with Motion Theory. They’ve recently released a bevvy of projects that show off their incredible diversity as image-makers and storytellers.

First up is a charming character-driven animation for Royal Bank of Canada and agency The Buntin Group.
The spot’s seamless transitions are not only visually pleasing, they actually reinforce the underlying messages of interconnectedness and diversity. Coupled with the retro tinged palette and illustration work, the spot is smile-inducing even on the third or fourth viewing.
Justin Claus Harder’s site is busting with wicked work. Don’t miss some very cool character designs in the personal section with “work so personal I put it online.”
One of animation’s greatest strengths is its ability to simplify complex systems for digestion by the widest possible audience. This is something Montreal based Atelier Transfert understands implicitly.
Their approach is very specific: Using mostly stop motion, they “can take abstract concepts and bring them into the tactile world to illustrate a very simple message. Through simple and visually entertaining analogies, we can communicate complex features.”
Case in point is their recent video explaining how Email Center Pro software works. Atelier Transfert mixes metaphor and humor to keep things simple and engaging. It’s a technique that’s harder to master than it sounds, so I thought I’d ask them a few questions about their process. Atelier Transfert’s Christian Martel graciously responded.
If Google Translate can be trusted, “Atelier Transfert” roughly translates to “Transfer Workshop.” Why did you choose that as your studio’s name?
Yes, Google Translate is accurate. ‘Atelier’ in French often suggests an artist’s workshop or practice, and ‘transfert’ means transfer, which I sort of meant as in transport—intersecting various approaches, disciplines, and media through a design process.
These stop-motion tutorials we’ve been doing lately are still very rooted in design in that they attempt to reduce a message to its simplest expression.
AT has a very specific approach—namely, using stop-motion animation for “how-to” or expository videos. Why stop-motion? Why not, for the sake of argument, 3D animation?
Beautiful 3D work from lilit Hayrapetyan of Triada Studio
Fantastic Journey & Fool Notion: a look behind film concept art, March March 28th in Dallas