Sixty40: Battlestar

Grab a dose of stereoscopic seizure in this entertaining new vid from Sixty40 for Battlestar.
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November 3, 2011
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November 2, 2011
October 31, 2011
October 28, 2011
October 27, 2011 October 26, 2011 Nelson Boles is back! His latest project, Little Boat, will put a smile on your face. I guarantee. New short by Jeremie Rozan. Sexy, and beautifully composed. Bring back those long summer days. (NSFW) October 25, 2011
October 24, 2011
October 23, 2011
October 22, 2011 Spilledkarma is a comprehensive overview of the VFX design, motion and photography works of Linas Jodwalis. October 21, 2011 Check out the behind-the-scenes and rough cut of the title sequence, directed by Jim Le Fevre, for the forthcoming Holy Flying Circus. A mixture of live-action, puppetry and stop-motion has resulted in the super-cute The Panda Rabbit, by Randy D. Rosario — his debut film as a director/animator. Check out also the making-of video and his blog. | ||
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Grab a dose of stereoscopic seizure in this entertaining new vid from Sixty40 for Battlestar.
The Youtube Dilemma: an essay on inspiration, plagiarism and rip-offs in advertising on Creative Review.

Some fun cel in the latest incarnation for communication company 02 directed by Edouard Salier with post by Digital district.
thanks Tom
Check out XYZ studios graphic animated sketches in “Copy Copy” for Fortis Bank.
To christen their new site, Auckland-based Oktobor has released three gorgeous spots for Tiger Beer and agency Saatchi and Saatchi Worldwide.
The spots star the architecture of London, New York and Paris as each city self-assembles from an a different material. This project was so technically challenging that I imagine it could have quickly become a soulless exercise in clone-based animation, but the lighting, rendering and palpably real texturing kept that from happening.
The general concept of self-assembling cities isn’t new (Tronic’s GE “Imagination” comes to mind), but Oktobor’s attention to detail is outstanding. The buttery smooth animation of the bricks in London mesmerizes me even on the third and fourth viewings, and I relish each and every shadow’s crispness and realism.