Hal Riney: Crayons

Hal Riney Melts Crayon Characters for U.S. Cellular & Publicis
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October 14, 2011
Comments October 13, 2011 October 12, 2011 Hey Berlin Mographers, this animation & motion design meetup is happening next week, on Oct 18th at LEAP, Karl-Liebknechtstrasse 13. A passionate bear for Canal + Produced by 75, directed by Dutch director Matthijs van Heijningen for BETC Euro RSCG. CG by Mikros Images October 11, 2011 “Rendering Synthetic Objects into Legacy Photographs” offers an interesting new approach to compositing. (Thanks, Ben!) Also: Check out our round-up of other interesting papers from SIGGRAPH 2011. October 10, 2011 Carlos De Carvalho directs this haunting promo for Timber Timbre’s “Do I Have Power.” (Thanks to Dom for the tip!) October 7, 2011
October 4, 2011 Wednesday, October 26 @ The Book Club in London, raise a little money and watch a few films at the Screen Social. Submit your films here. October 3, 2011
September 30, 2011 Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14) September 29, 2011 Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info. September 27, 2011 Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.
September 26, 2011
September 21, 2011 The awesome Electric Projected needs our support for the reboot. Check out their kickstarter page and donate what you can to keep an amazing passion project such as this alive.
September 20, 2011
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Hal Riney Melts Crayon Characters for U.S. Cellular & Publicis

Mr. Hide and The Sweet Shop have created a fantastical human-scape in this recent spot for Prius via Saatchi & Saatch, LA. For his first spot outside of the Japanese market, Hide brings a strong sense of humanity and visually arresting nuance.
This ambitious testament to the detail-oriented Director is supported by an Art Department and Production team who enlisted 200 extras in 269 costumes to build this cleverly choreographed world. This one is meant to be watched more than once.
On a side note, Mr. Hide’s feature, Donju is set to premier at Cannes.
School’s out at Supinfocom, and the end of year projects keep rolling in. Everything we’ve seen so far is astounding, and “Café Serré” only adds to the school’s already imposing reputation.
Created by Vincent E Sousa, Bertrand Avril, Yann de Préval and Denis Bouyer, the film ticks along with a series of brilliant sight gags that fit together like a finely crafted puzzle—all with just two characters and a single set.
I love the lighting in the establishing shots. Drink in the architectural details of the interior and the soft interplay of light on its various surfaces. Lovely.
The camera work, while mostly stationary, moves the story forward with confidence, using simple two-shots, close-ups and some subtle rack-focus to keep the action tight in the frame.
“Café Serré” was made for the Canal J Contest, created five years ago. Its participants are all from French Animation Schools, so you know the competition is stiff. This year, 7 schools participated, contributing 54 different short films. You can see the other competitors here.
Want more? Check out this selection of work from other Supinfocom students:
do bem: “Suco de Laranja 100% fruta” (Created by Breno Pineschi and Rafael Cazes)

Brought to you by Weeds, with all new episodes beginning June 8th!
Supinfocom students Clement Crocq, Margaux Durand-Rival and Nicolas Novali teamed up to create their final project, Machu Picchu Post, a story about the mystical connection between a Peruvian boy and a postal pilot flying nearby.
The painterly visuals feel like an oil painting brought to life, while the simplicity of the characters and environment set up clean, balanced compositions. As the narrative progresses, the story goes down the rabbit hole into a surreal wonderland of abstraction.
Take a look at some of the behind the scenes goodies featured on CG Society.
Art of the Title Sequence: Kyle Cooper Interview