Eleven Roses
E1even Roses, a short film of unrequited love. Credits and more details.
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November 20, 2009
November 19, 2009
Enjoy a fascinating discussion about filmmaking and art in A Talk with Alfred Hitchcock (thanks Jimmy!). Brought to us by Luma, check out The Making of Standard Bank Global, from concept to execution. November 18, 2009
Also, dont miss out on his great list of stuff to live by. Shel Silverstein would be proud. London based director Scott Altman hits the ground running with a frenetic reel, and a slim but slick portfolio. As an extension of Asylum Visual Effects, Asylum Design is making its mark with three reels showcasing their work in main titles, screen design, and commercial productions. November 17, 2009
November 16, 2009
Ross Neil and Matt Clark direct an alternate “Strawberry Swing” music video. (See Shynola’s official video.) Thanks, Hector! November 14, 2009 Nikon Film Festival open for entries — closing 12/15. November 13, 2009 Toronto based Alchemy drops this wicked spot for MEDT (Ontario Ministry of Economic Development)
November 12, 2009
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Eleven RosesE1even Roses, a short film of unrequited love. Credits and more details.
7 responses to “Eleven Roses” |
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Thursday, June 25th 2009 at 10:10 am |
brilliant.
Thursday, June 25th 2009 at 10:15 am |
This is freaky awesome!
More! more! more!
Thursday, June 25th 2009 at 1:38 pm |
I laughed. This is great.
Thursday, June 25th 2009 at 2:36 pm |
LOLOLOLOLOLOLOLOL WOW OMG!!! a new cult king is born!!
n’I agree: MOREMOREMOREMOREMOREMORE!!!!!!!!!!!!!!!!!!!!!!!!!
nice change from all the goody2shoe shtufff
Thursday, June 25th 2009 at 2:45 pm |
I wouldn’t want to know the writer of this. This is definitely nutty and demented but like punk rock it rips through a complacent genre. I’ve seen better animation, but I kneel at the edgy courage.
Thursday, June 25th 2009 at 8:03 pm |
Whoa. Nuts is right. In an awesome way! Love it. Loved the unreal reality of Love. Flesh. Fire. Rockets. Rock on!!!
Friday, June 26th 2009 at 9:16 am |
This is like what Walt would do after seeing his family killed or something. It’s dark yet brilliant. The animation is okay. But the 2D and 3D mix is A level and the lighting is simply pithy. Just right. Just effective enough. Which is rare these days with all the CGI masterbations. Which makes 11 a memorable piece. The theme or the circus of dismal themes that are hinted to here have now become a timeless part of our modern society. This film, despite its brief play, is open to many many interpretations. And that’s what makes it a genial masterpiece. Bows.