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November 24, 2011
Comments November 20, 2011 November 19, 2011
Monarchy of Roses, an amazing collaboration between the Red Hot Chili Peppers, illustrator Raymond Pettibon and director Marc Klasfeld. November 18, 2011
Light, a short film directed by David Parker, gives new meaning to the term “volumetric lighting.”
Check out this wonderful piece of animation by Giant Ant (co-direction by Jr.canest) talking about hope, health and welfare. November 17, 2011
November 16, 2011
Check out the portfolio of the very talented designer Kenesha Sneed, who will be going freelance soon after working at Psyop LA.
November 15, 2011
November 14, 2011 November 11, 2011 November 10, 2011
Europeans! People within convenient travelling distance to Barcelona! Don’t miss out on Broad.cat 2011, a 2-day design conference at Imagina Auditorium. Highlights include a video conference with Pablo Ferro, directly from L.A. November 9, 2011
November 7, 2011 November 4, 2011
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Jurjen Bosklopper’s ironically campy visuals create great contrast for the ultra-violent animal uprising in this music video for Streetlight Manifesto’s “Would You Be Impressed?”
Lovely illustration style in “The True Story of Marvin Walvis,” the final project from Ziv Arbel for her time at the Bezalel Academy of Art and Design.
Excellent claymation fun in “Pigeon Pilfer,” the senior film of San Francisco State University student Michael Stevenson. (Via Drawn)
Joining forces with UK Production Company Blink Ink and Agency CHI, Noah Harris directs Talk Talk. The light-writing concept is tired, but the spot’s worthy of praise for its execution.
Eric Wareheim (of Tim and Eric) directs this music video for Major Lazer, taking dancing to new heights (note the ladder jump).
You know how it is. Everything is calm. The pace, relaxed. Maybe you’ll write a little email to your mum, letting her know how special—
BAM! The shit hits the fan. Demands on your creative powers are being made from some shadowy force on high, and you jump into high gear, riding that familiar blend of adrenalin and caffeine that all creative workers know too well.
That experience is brilliantly encapsulated by this opening for the Ubisoft Montreal Annual Convention. Conceived by Greg Barth and Noé Sardet under the direction of Emmanuel Sevigny, the project is a stop-motion ride through the creative process from conceptualization to delivery.
Favorite moments: the error message during the blender sequence, the post-it note reading “Find money and weapons” and the elegantly executed end-tag.
The sound design, created by Ubisoft, really pushes this to the next level (as all good sound design does), exaggerating the action and creating striking contrasts throughout the project.
Similar projects from others:
