 | |
 |  |
 | |
Want to be on Motionographer? Submit your work now! | |
 | |
 | |
 | |
| | |
 | |
| | |
 Get a daily digest of Motionographer's posts in your inbox. Subscribe now. | |
| | |
| | |
 | ||
 | |  |
 | ||
October 14, 2011 October 13, 2011 October 12, 2011
Hey Berlin Mographers, this animation & motion design meetup is happening next week, on Oct 18th at LEAP, Karl-Liebknechtstrasse 13.
A passionate bear for Canal + Produced by 75, directed by Dutch director Matthijs van Heijningen for BETC Euro RSCG. CG by Mikros Images October 11, 2011
“Rendering Synthetic Objects into Legacy Photographs” offers an interesting new approach to compositing. (Thanks, Ben!) Also: Check out our round-up of other interesting papers from SIGGRAPH 2011. October 10, 2011
Carlos De Carvalho directs this haunting promo for Timber Timbre’s “Do I Have Power.” (Thanks to Dom for the tip!) October 7, 2011
October 4, 2011
Wednesday, October 26 @ The Book Club in London, raise a little money and watch a few films at the Screen Social. Submit your films here. October 3, 2011
September 30, 2011
Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14) September 29, 2011
Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info. September 27, 2011
Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.
September 26, 2011
September 21, 2011
The awesome Electric Projected needs our support for the reboot. Check out their kickstarter page and donate what you can to keep an amazing passion project such as this alive.
September 20, 2011
| ||
 | ||
 | ||
 | ||
Jurjen Bosklopper’s ironically campy visuals create great contrast for the ultra-violent animal uprising in this music video for Streetlight Manifesto’s “Would You Be Impressed?”
Lovely illustration style in “The True Story of Marvin Walvis,” the final project from Ziv Arbel for her time at the Bezalel Academy of Art and Design.
Excellent claymation fun in “Pigeon Pilfer,” the senior film of San Francisco State University student Michael Stevenson. (Via Drawn)
Joining forces with UK Production Company Blink Ink and Agency CHI, Noah Harris directs Talk Talk. The light-writing concept is tired, but the spot’s worthy of praise for its execution.
Eric Wareheim (of Tim and Eric) directs this music video for Major Lazer, taking dancing to new heights (note the ladder jump).
You know how it is. Everything is calm. The pace, relaxed. Maybe you’ll write a little email to your mum, letting her know how special—
BAM! The shit hits the fan. Demands on your creative powers are being made from some shadowy force on high, and you jump into high gear, riding that familiar blend of adrenalin and caffeine that all creative workers know too well.
That experience is brilliantly encapsulated by this opening for the Ubisoft Montreal Annual Convention. Conceived by Greg Barth and Noé Sardet under the direction of Emmanuel Sevigny, the project is a stop-motion ride through the creative process from conceptualization to delivery.
Favorite moments: the error message during the blender sequence, the post-it note reading “Find money and weapons” and the elegantly executed end-tag.
The sound design, created by Ubisoft, really pushes this to the next level (as all good sound design does), exaggerating the action and creating striking contrasts throughout the project.
Similar projects from others:
