The Bicycles’s “What a Fool” by Chris Cunningham(?)

The Bicycles’s “What a Fool” is a charmingly silly little MS Paint-like animation, directed by one Chris Cunningham. (edit: probably not THE Chris Cunningham. Thanks, Bran)
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November 3, 2011
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November 2, 2011
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October 27, 2011 October 26, 2011 Nelson Boles is back! His latest project, Little Boat, will put a smile on your face. I guarantee. New short by Jeremie Rozan. Sexy, and beautifully composed. Bring back those long summer days. (NSFW) October 25, 2011
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October 22, 2011 Spilledkarma is a comprehensive overview of the VFX design, motion and photography works of Linas Jodwalis. October 21, 2011 Check out the behind-the-scenes and rough cut of the title sequence, directed by Jim Le Fevre, for the forthcoming Holy Flying Circus. A mixture of live-action, puppetry and stop-motion has resulted in the super-cute The Panda Rabbit, by Randy D. Rosario — his debut film as a director/animator. Check out also the making-of video and his blog. | ||
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The Bicycles’s “What a Fool” is a charmingly silly little MS Paint-like animation, directed by one Chris Cunningham. (edit: probably not THE Chris Cunningham. Thanks, Bran)
The extraordinary talent that is Bill Sneed with a long awaited update.
Like a bat out of hell, Asif Mian laces up, and breaks away with ReRun. Hatched straight from the lab at 1st Ave Machine, ReRun is an abstract film with a nitty-gritty fusion of cinematography and top-notch CG. While not overly conceptual, the film follows a slum-dwelling basketball player who weaves through the streets of a desolate ghetto. In his wake, and with every passing step; a shoe is left behind in suspended animation. Amid the course, the ball dribbling night-walker takes a spill, and with him, one by one, the trail of shoes come crashing down. Brushing himself off, the main character rises, and so too do the shoes. With the shoes now serving as a path, the man soldiers on, and continues along his shady trek of personal discovery.
Undeniably, ReRun is an odyssey of visual and audio. The Sound Design of the film is particularly electronic, with an ebb and flow that chauffeurs the narrative along at a fluctuating tempo. The visual, or CG for that matter, is done in good taste, and does not overshadow the plot, however ambiguous in nature it is. With its world premiere at OneDotZero_Adventures in Motion 2009, the film will fit snugly into the catalog of hits for both 1st Ave Machine, and Director Asif Mian.

The Rokkit famliy continues to grow with the signing of Parisian Directing collective AB/CD/CD (Arnaud Boutin, Clément Dozier & Camille Dauteuille).

New Site from Editor Josh Bodnar

Garson Yu interviewed at Forget the Film, Watch the Titles

Carl Eric Rinsch teams up (again) with Digital Domain and combines intelligently for Audi with Kempter Trautmann from Hamburg.