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May 21, 2013
May 15, 2013 
June 4th is almost upon us which means it’s nearly time for See No Evil’s! This time we are joined by VFX aficionado’s Analog Studio.
Free entry, prizes & good times!
May 13, 2013 
Promotive.tv is focused on showcasing outstanding television marketing and promotions work. Looks interesting.
May 10, 2013
May 9, 2013
May 6, 2013
May 2, 2013
May 1, 2013

The speaker lineup and master classes for Collider look pretty interesting. Who’s going? UPDATE: Motionographer’s Michelle Higa Fox will be on the VFX panel. Use promo code COLLMotion for 10% off.
April 29, 2013 
Mesmerizing editing and wonderful typography in the latest reel from IAAH (Nessim Higson).
April 28, 2013 The Line pull together an impressive team to bring us an eerie and beautifully crafted tale of misadventure.
Royale get kaleidoscopic with Nike Free.
April 26, 2013 
4/26/13: Join a one hour round table discussion from the VFX facilities’ points of view. Streaming online here at 1pm Pacific/4pm Eastern/9pm London/9am New Zealand.
April 22, 2013
April 20, 2013
April 19, 2013 
“5m80″ directed by Nicolas Devaux explores the secret lives of giraffes. Produced by Cube Creative Productions & Orange.
April 17, 2013 How awesome is it to see amazing simple shapes moving just beautifully? Quite awesome. Adobe CMO Explainer by VeracityColab is a must watch, and it was done in a week!
April 15, 2013 
New stuff from Plenty! With these ID’s for NICK, they have created a nice “handmade look” combining frame-by-frame animation and 3D. You can check out more details of the project right here.
April 10, 2013 
Animal created an interesting mixed media short film. Illusions focuses on imagery that fools the viewer while examining its real world parallels.
April 9, 2013 
Director Lucas Zanotto launches Drawnimal, an iOS app that encourages kids and parents to think outside the device.
April 5, 2013 
Toros Köse launches a new reel with equal parts polish and charm.
April 4, 2013 
Holy magic toolbelt Batman! When Adobe and Maxon announced a “strategic alliance”, I never dreamed this big. Todd Kopriva announces what’s new in the upcoming version of AE, including importing C4D files directly into AE.
Motionworks has a great video showing off the integration here and Chris & Trish Meyer’s write up is here.
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Thanks for posting Justin. For those of you who want to check out a cleaner looking copy, here she be: http://www.vimeo.com/7710037
Ah, thanks for that Vimeo link! I’ve updated the post accordingly.
As an editorial aside to all who may be reading this: Please. No more YouTube. Buck up and buy yourself a Vimeo Plus account so you can do your projects justice.
Justin, I was just chatting with the Fluorescent Hill folks over email about the YouTube versus Vimeo thing, and thought I’d pop in to share the same technical observations here –
On a purely technical note, the Vimeo embed you swapped out to is in fact *lower-rez* than the YouTube version you originally embedded from Boing Boing Video.
YouTube just last week began supporting higher-res formats for HD, so we uploaded “Spacious Thoughts” to YouTube at 1920×1080 (1080p). This is new for YouTube.
So, the embed you originally blogged here at Motionographer — the one I provided, YouTube — allowed the user to view at HD and full-screen in true 1080p at 1920 pixels wide if the user so chooses.
The notion that YouTube is inherently inferior to Vimeo from a resolution and video quality standpoint is no longer accurate. The user can select “HD,” in the YT player bar, then “fullscreen,” and get true 1080p, very crisp, and full screen.
I haven’t checked to see if Vimeo supports the same. And you may have other reasons for preferring them as a provider. But I just wanted to make the technical point that YouTube does not necessarily mean shitty/highly compressed quality video anymore, particularly after they began allowing those higher quality HD upload formats last week.
first of all, what a pile of visual AWESOMENESS!! second…TOM WAITS & KOOL KEITH!! marks could not come higher than those given on this project!
You guys totally killed it on this. huge props from Pluto.
Hi Justin,
Ah, that’s too bad. There was no need to embed from someone else’s vimeo account. We *do* use a paid, high-quality hosting provider in addition to YouTube (which doesn’t look shabby with HD selected, AFAIAC). We actually publish each Boing Boing Video (including this one — the NASA folks kindly granted us an exclusive on the debut) on several hosting platforms, as you can see in the blog post.
http://boingboingvideo.com
or
http://www.boingboing.net/2009/11/18/nasa-feat-tom-waits.html
YouTube’s great because it’s free, and we don’t get dinged on hosting costs if a video goes viral, as did this one. But as you can see in the original blog post, we also published on Dotsub and on Episodic, our paid hosting provider.
Boing Boing Video’s Episodic embed is available to you any time you’d like to embed something here on Motionographer, if you don’t like YouTube. Feel free to ping me personally if you see something in Boing Boing Video that you want to embed here, but have any technical or quality issues.
XJ
Oh dear, well color me an idiot. The commenter and the vimeo account in question belonged to none other than the co-director of the video at Fluorescent Hill, Mark Lomond. Sorry! As you were.
Mark, again, stonkingly awesome work.
Interesting work. I like visual style of this one, but I’m not a big fan of animation, IMO it’s very basic to say the less. Plus there are not as much changes going on with picture to keep viewer happy during whole shot.
Very good work anyway, I wish you could put a bit more into it.
whatchatalkinboutwillis?
..that was BOSS!
as well as looking fantastic, great pacing and spot on character animation there’s so many other nice touches going on too to keep the spot entertaining throughout ….tom waits character fits the bill surely.
rrrr