The Story of Cap & Trade
A new installment in the Story of Stuff series: The Story of Cap & Trade. (Thanks, Jeff!)
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October 14, 2011
Comments October 13, 2011 October 12, 2011 Hey Berlin Mographers, this animation & motion design meetup is happening next week, on Oct 18th at LEAP, Karl-Liebknechtstrasse 13. A passionate bear for Canal + Produced by 75, directed by Dutch director Matthijs van Heijningen for BETC Euro RSCG. CG by Mikros Images October 11, 2011 “Rendering Synthetic Objects into Legacy Photographs” offers an interesting new approach to compositing. (Thanks, Ben!) Also: Check out our round-up of other interesting papers from SIGGRAPH 2011. October 10, 2011 Carlos De Carvalho directs this haunting promo for Timber Timbre’s “Do I Have Power.” (Thanks to Dom for the tip!) October 7, 2011
October 4, 2011 Wednesday, October 26 @ The Book Club in London, raise a little money and watch a few films at the Screen Social. Submit your films here. October 3, 2011
September 30, 2011 Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14) September 29, 2011 Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info. September 27, 2011 Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.
September 26, 2011
September 21, 2011 The awesome Electric Projected needs our support for the reboot. Check out their kickstarter page and donate what you can to keep an amazing passion project such as this alive.
September 20, 2011
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A new installment in the Story of Stuff series: The Story of Cap & Trade. (Thanks, Jeff!)
Art film for Shots directed by Maxim Zhestkov. Sound by Marcelo ‘Combustion’ Вaldin.

Trollbäck rebrands Nickelodeon and lends the channel some of its noted sophistication and restraint.
What is an Executive Producer? This role may go unnoticed by many of us, but the success of a company is often defined by this individual. They shape the culture of the production company they lead. In addition to their sales and strategic roles, they must define and reinforce the creative ethos of the company. This begins with bringing in the right talent and nurturing them to their full potential.
The ways in which this takes place varies from EP to EP. What follows is how some of the good ones do it, including:
Read the round table discussion and get a glimpse into 2010 and beyond.
Using the same camera perspective trick employed by weareom for their “Chop Cup” viral (or sidewalk artist Julian Beever or Salvador Dalí or countless others, I’m sure), Google worked with 1stAveMachine’s Aaron Duffy to craft a series of elaborate analogue vignettes to tout the features of its Chrome browser.
Some of the ideas work better than others, with the obvious crowd-pleaser being the Speed demo. The subtext for all the vignettes is a celebration of DIY ingenuity, of making something seemingly simple through the complex combination of unlikely components. In many cases, the machines are human-powered, with hand-turned cranks and puppeted objects supplying the “animation.”
Mostly, though, the message is one we don’t often hear among the nerdified banter of browser battles: Surfing the net should be fun. It should be unexpected, but not because your browser crashes or because you contract a nasty virus.
UPDATE: Check out the making-of HERE.
Big ups to Fred Kim for the tip (via Gizmodo)

A fresh batch of MTV idents by Universal Everything.

Lively animation in Kim Young Ha’s RMIT film, “Greedy Boy“