Motion Theory’s “In it”
Check out some new work from Motion Theory including “In It” for Samsung and the NFL.
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November 3, 2011
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November 2, 2011
October 31, 2011
October 28, 2011
October 27, 2011 October 26, 2011 Nelson Boles is back! His latest project, Little Boat, will put a smile on your face. I guarantee. New short by Jeremie Rozan. Sexy, and beautifully composed. Bring back those long summer days. (NSFW) October 25, 2011
October 24, 2011
October 23, 2011
October 22, 2011 Spilledkarma is a comprehensive overview of the VFX design, motion and photography works of Linas Jodwalis. October 21, 2011 Check out the behind-the-scenes and rough cut of the title sequence, directed by Jim Le Fevre, for the forthcoming Holy Flying Circus. A mixture of live-action, puppetry and stop-motion has resulted in the super-cute The Panda Rabbit, by Randy D. Rosario — his debut film as a director/animator. Check out also the making-of video and his blog. | ||
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Check out some new work from Motion Theory including “In It” for Samsung and the NFL.
I found this video through illustrator Frank Chimero’s excellent blog and listened to it while working today. It’s a speech that Ed Catmull, president of Walt Disney Animation Studios and Pixar Animation Studios, gave at the Stanford School of Business in 2007 about the hard parts of business and a few important lessons that’s he’s learned. It’s a bit long, but well worth listening to.
The six important points he makes (paraphrased here) are:
1. Review material every day. Constantly review work-in-progress to reduce the stigma of “unfinished” or “imperfect” work
2. It must be safe to tell the truth.
3. Communication between members of the organization shouldn’t mirror the organizational structure / hierarchy. Open door policy means open door.
4. People functioning well together is more important than the thing or idea they’re working on.
5. Don’t let success mask problems (deep assessment)
6. Once an important idea can be expressed in a concise statement, one can just use the statement and NOT have to change their behavior.
Another interesting point he makes towards the end of the talk is:
“Every product that we’re making has got to be original. Which implies that we can never repeat ourselves. To me, this is an important thing because many people in Hollywood don’t actually understand that. If something is successful – if you’ve got Star Wars or Shrek or whatever, then it’s basically, “Let’s do that again.” Well, we’ll try to make it a little bit different. But we’ll do the same thing again.
But you can’t think that way, with any products. Everything is new and original. And therefore our way of dealing with and solving the problems has got to be an original. So the secret is we have to keep on digging deeper and deeper and knowing that we’re always missing something that’s important.”
This is a great thought to use in thinking about Motion Graphic Design and Animation as well, when our own clients demand original thinking and solutions to their problems. It’s not enough to rely on design ideas that are based on templates and remakes or to try to emulate others’ success. True innovation happens when the right people are given the right tools and asked to create things that are truly unique. And that’s what we should all be striving for.
Recent graduate of Full Sail University, Marcin Zeglinski, hits the ground running with a versatile body of work in his latest showreel.

The Art Directors Club Awards deadline is creeping up. Don’t sleep on it!
Solid showreel from Fraser Davidson
Fun student project from Maxime Bruneel visualizing thought patterns.