Jonathan Hyde is now freelance in LA with a freshly updated portfolio.

Jonathan Hyde is now freelance in LA with a freshly updated portfolio.
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February 21, 2012
Comments February 20, 2012 Incredible series of idents designed by Frans Schupp in 1982 for Dutch public broadcaster VARA. Schupp’s intern Robin Noorda (now an independent animator) recently restored the series – the master tape had been lost and the only remaining copy was badly degraded. Thank you to Liselotte Doeswijk for the tip!
To Do List is a sleek personal project from Yaniv Fridman and Daniel Luna. Sound design by WhiteNoiseLab.
February 17, 2012
Emma De Swaef & Marc James Roels bare just enough of this teaser for their upcoming stopmo short, Oh Willy… Check out this interview for more info. (Thanks, Michelle!)
February 16, 2012 In Mother Bird, The Mill NY marries a touching story about mother and child with compelling, photo-realistic CG for Hallmark. February 15, 2012
Created by Timmy Lunsford Were filing this quickie under “Avant Garde” with hopes that you might get a laugh on this fine Wednesday.
February 14, 2012 Londoners: Screen Social is on Wednesday 15th Feb at The Book Club, London EC2. Music videos, animation, experiments & shorts. More details here. February 13, 2012 February 10, 2012 This is the teaser for Colosse, A Wood Tale — Hornet’s sweet new short soon to come, directed by Yves Geleyn. As usual, they’re sharing lots of behind the scenes goodies! Designer and Creative Director Izik Roitman packs a wallop with a solid portfolio at Roitman.tv. | ||
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Jonathan Hyde is now freelance in LA with a freshly updated portfolio.

Target has good taste. By enlisting Motion Theory, the studio has left its mark on the rich history of Target advertising and embarked on a project that sets itself apart from the usual Motion Theory repertoire—creating a different approach for the themselves and a fresh perspective for the client.
In A Better Bullseye, the studio has delivered a piece that fits easily into the Target aesthetic, but remains unique. Gone are the typical Warholian graphics and pop-art visuals of previous Target campaigns; in are the good, old fashioned methods of character based advertising.
By setting the location of the spot in a factory, the piece hopes to convey the spirit of teamwork and efficiency that keep the Target brand strong and healthy. Beginning with an establishing shot of the famous bullseye, factory employees work together to fully stock the towering icon like a refrigerator. The attention to detail, as explained by director Chris Riehl, was not to be ignored:
“The team and I explored every possible detail you see from the memorable cast of characters to the host of strangely specific heavy machinery and vehicles which we hope comes through when watching the spot.”
The character design of the piece—like the Target aesthetic—is distinctively retro and in many ways, resembles the 60′s style design of Pixar’s, The Incredibles. In a production schedule described as “condensed,” the team of artists—similar to the factory workers in the spot—worked feverishly to create something high-end for a mega-mart that has a commitment to good design.

NYC: Tonight, Rooftop Films presents “Capucine: Filmmaking Monkeys and other Renegades” and tomorrow their “Animation Block Party”

Crazy fun music video of goodness from Kristof Luyckx for Hermanos Inglesos feat. MeMe – Wanderland
That Moves (You): AIGA/LA event on August 18th
A couple of years old? Yes. Beautiful and poignant? Certainly. Great piece for Little Dragon by Johannes Nyholm.

EA Alice: Madness Returns Game Teaser by Shy the Sun