Visuals Reel 2010 by Markus Wagner

Visuals Reel 2010 by Markus Wagner (NSFW, probably)
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September 19, 2011
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September 14, 2011 S/M/L is proof that hard work for a failed pitch can still lead to amazing results. Kudos to Tendril for going for it even if the client didn’t. Via Bran DJ.
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September 6, 2011 Another great writeup from Jessica Hische, this one roughly detailing freelancers’ guidelines for pricing. Although geared mainly toward those in the static arts, there are some seeds of motion content in the comments. So-Me comes back with his new promo for Justice. He creates the dusty retro world of the band with some beautifully executed camera moves and tricks. Oh, and there’s a Christmas Tree in it as well.
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Visuals Reel 2010 by Markus Wagner (NSFW, probably)
More VFX artists not getting paid in Montreal, report Variety (subscriber only) and AWN.
Last night, it seemed like everyone in NYC was talking (and tweeting) about one thing: The Standard Hotel. Funded by Target, Mother NY and LEGS took over the Standard as the stage for a Kaleidoscopic Fashion Spectacular — an LED light and fashion show with enormous ambition and success.
Hot off of VMA nominations for their Florence and the Machine video, LEGS continues to blur the line defining the modern director. This latest feat turned 155 rooms (with 66 dancers inside) into pixels, backed by a 30 piece orchestra, as they animated the hotel’s southern facade to bring a live experience to the streets. In attempt an artistic democracy, Target even distributed 1,500 binoculars and had the music available on a toll-free number for those not close enough to hear.
Aside from the exceptional creative and production merits of this work, it’s encouraging to see brands like Target stepping up and financing non-traditional curation (by Mother NY) and innovation much like Intel has entrusted VICE with it’s currently touring Creators Project. As old mediums retire, new ones are born and those who find ways to tell stories within new structures will continue to push our “blurring” industry forward whilst finding new ways to create.
Check out some photos as we await more video and extras about the night and feel free to share any content you may have captured in the comments.
Update: Check out some behind the scenes from lighting animator, Michael Figge, from the team at Eight VFX.
“Our friends at Radiolab were making a show about ‘words’, and they wanted us to make a companion video. Upon hearing that the subject for the show would be ‘words’, we immediately thought of the big books, the dictionary and thesaurus. From there, we decided that we’d make some sort of visualizations of these books. Pretty early on, we knew it’d play quite like a game, you could call it a “game-film”. Starting with “play”, we simultaneously created and connected the dots, back and forth between dictionary and thesaurus.
It took a good week to write the piece out, and about a month to shoot and edit. There were a fair amount of changes along the way, but the entire piece existed, for the most part, on paper. Of course, when working in a realm of “planned non-fiction”, there are surprises everywhere. Every person in the piece is a non-actor. We made lots of phone calls and pulled tons of strangers off the street to get the subjects and actions we wanted.
To keep the whole flow fresh, we played with the detail and branches of the word associations, and the transitions between words became our glue.
It was a new way to approach the filmmaking process, and it made the whole thing fun and exciting. If you listen to Radiolab, you’ll find that sort of curiousity and positive energy is gushing, so it was a breeze for us to play with it.”
Shortly after ‘Telephoneme’, MK12 launches their Summer Reel 2010.
New Zealand-based Director Jonny Kofoed recently put out a series of über sweet animated spots for PAMS for the NZ-market.
Meticulously designed and animated, the spots are an ode to Pams’ food products. Filled with simple, food-shaped characters they live in a vintage, yet contemporary world. The combination and contrast of analog/digital textures and simple 3D characters that seamlessly blend into 2D make for a friendly, home-cooked food aesthetic, reminiscent of the friendliness of your local greengrocer. (Make sure to begin from “For The Love of Food” and continue on to the other two shorter spots.)
Jonny was kind enough to answer a few questions about the project. Read the Q&A here.
Make sure to check out the behind the scenes and pre-production material on Jonny’s site, loads of amazing stuff there!
Big thanks to fellow author Lilian Darmono for the extra help with the post!