IMG Fest, Rotterdam

IMG Fest, Rotterdam (enter promo code “IMG2010″ for discount)
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January 13, 2012 Football? socialism? amazing motion design? yes, and you should like it before you even finish watching it. Performed by Bill Maher & Directed and Animated by Fraser Davidson January 12, 2012 Screen social in London has two events coming up, one Thursday, Jan. 12 @ the ICA and another Wednesday, Jan. 18 @ The Book Club EC2. More details here. January 11, 2012 January 10, 2012
New reel with loads of new work from Austria’s Eat My Dear. Nice and cheerful audio by We Say We Say. January 9, 2012 Strange, weird, absurd. Doomed! A pilot for a series by director Guillermo García Carsí (Pocoyo) and produced by El Señor Studio. January 8, 2012
January 6, 2012 January 4, 2012
Worked with Yurcor lately? The Animation Guild wants to help. Check out this post and fill out the form. January 3, 2012 Part of a Bigger Plan takes us on a magical joyride through a Louis Vuitton-inspired universe in “Bag Charms.” The Ambassadors Design & Animation team handled animation. Matijn Hogenkamp of PlusOne directs an epic trailer for the the Amsterdam Museum’s new exhibition: Amsterdam DNA. Read more about the project at the museum site and check out the process/credits at PlusOne. January 2, 2012
December 21, 2011 Cineversity, the official Cinema 4D training site from Maxon, has relaunched with a new look, new features and loads of new content. December 19, 2011 December 16, 2011
December 15, 2011 December 14, 2011 | ||
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IMG Fest, Rotterdam (enter promo code “IMG2010″ for discount)
What a year Edouard Salier and his crew at Digital District has had! From big work for Coke to indie music videos for Massive Attack, Edouard rises through ranks as one of the more prolific and versatile 3D-animation storytellers of the moment. In association with RSA, Atlas, his prequel to Splitting the Atom, is an evolution of this dark, post-apocalyptic world which builds on both its narrative and abstract, 3D aesthetic.

Fantastic low-poly gore parade going on Kill Your Co-Workers, Flying Lotus’s latest vid directed by Beeple. Craziest part? you can download the source files and submit new scenes. (tip: Tommy)

Upperfirst with Johan Nordin and Måns Nyman brings us a big all-absorbing bubble gummy blob for Mtv

AIGNY Presents: Dark Design (featuring Nathan Love, Takeshi Yamada, Sarah Forbes and Matt Lambert)
Once in awhile, a piece comes along that speaks to you in so many different ways that you just want to listen, afraid that any written response will not adequately capture your sentiments. Personally, this is one of those times, so this will be a quick writeup…
Adam Gault and Stephanie Augustine continue their string of successes with another amazing personal project, Gettysburg Address – easily my favorite work of the year.
Along with an evocative reading by Mitch Rapoport and deeply layered sound design of Chris Villepigue, this subtly powerful illustration of Lincoln’s famous speech portrays a smooth ebb and flow between rich metaphors; each composition aptly reflecting a historical attitude as well as the content’s transcendence – one easily appropriated to the strife that exists in many areas of our current society as much as it did in 1863.
Motionographer Author Simon Robson recently caught up with Adam, who was kind enough to elaborate on the work:
“I’m glad you like the Gettysburg project. We’ve been plugging away at the piece for some time, so it’s nice to finally have it wrapped up and out there.
Words… Well, the irony is that when we decided to attempt this project it didnt really occur to us that the Gettysburg Address is one of the great speeches of all-time. It’s words… carefully chosen words that work really well on their own. The speech doesnt really need pictures. But once we started brainstorming we were determined come up with imagery that would compliment the words. We wanted to use simple and subtle metaphors that would give the speech context and create evocative compositions without trying to add meaning. Hopefully we’ve done the writing some justice.
The actual production process was pretty fluid, as these personal pieces tend to be. The assets are a mixture of photographs, hand painted elements, and digital illustrations. All of the animation was done in After Effects.
One of the challenges with the animation was to keep the motion interesting despite its slow pace. To combat dullness, we tried to keep things moving at all times, whether it was the textures inside the lines, or the drifting of the camera. We also setup the overall structure to move back and forth between light and dark compositions, and tried to make the transitions between the sections as surprising as possible.
The approach for the sound design was similar to the picture. The voice recording needed to be the main focus, with everything else complimenting it. I think Chris did an excellent job of getting it “just right”. His effects are subtle but still moving. They set the mood without demanding too much attention. The clinking of the rope on the flagpole at the end is so lonely and sad. It’s just perfect.”
Credits:
Read by Mitch Rapoport.
A collaboration with Stefanie Augustine.
Sound design by Chris Villepigue | songloft.com.
Design and Animation help from Carlo Vega.
Thanks to Simon Robson for the legwork and to Bran Dougherty-Johnson for the tip!