Upper First Mannequin Projections for Mille – Crysteena

Upper First Mannequin Projections for Mille – Crysteena
| | |
| | |
Want to be on Motionographer? Submit your work now! | |
| | |
| | |
| | |
| | |
| | |
Get a daily digest of Motionographer's posts in your inbox. Subscribe now. | |
| | |
| | |
| | ||
| | | |
| | ||
November 2, 2011
Comments
October 31, 2011
October 28, 2011
October 27, 2011 October 26, 2011 Nelson Boles is back! His latest project, Little Boat, will put a smile on your face. I guarantee. New short by Jeremie Rozan. Sexy, and beautifully composed. Bring back those long summer days. (NSFW) October 25, 2011
October 24, 2011
October 23, 2011
October 22, 2011 Spilledkarma is a comprehensive overview of the VFX design, motion and photography works of Linas Jodwalis. October 21, 2011 Check out the behind-the-scenes and rough cut of the title sequence, directed by Jim Le Fevre, for the forthcoming Holy Flying Circus. A mixture of live-action, puppetry and stop-motion has resulted in the super-cute The Panda Rabbit, by Randy D. Rosario — his debut film as a director/animator. Check out also the making-of video and his blog. Plenty updates with a few new projects. My personal favorite of the bunch is the piece for Acumar Institucional. October 18, 2011 Mourir Auprès de Toi (To Die By Your Side) is a fantastic stop-motion film, the result of a collaboration between Spike Jonze and the French designer Olympia Le-Tan. Check out also the making-of. Fleur and Manu create an incredibly beautiful and filmic music promo for M83. October 17, 2011 Marcel Ziul & Marcos Vaz joined forces as Superlativ to create this solid graphics package for Copa America 2011. October 14, 2011 | ||
| | ||
| | ||
| | ||

Upper First Mannequin Projections for Mille – Crysteena
Inactivo is the latest short film by Lamole, the B side of Argentinian Superestudio. It’s about a woodcutter’s brave journey through a gloomy forest of giant scissors. Facing his childhood fears, he walks towards his final redemption. The finely crafted opening credits and sound design adds a nice touch to this intense drama.
“We looked for the best way to figuratively represent the inside of a traumatised mind, and we ended up deciding to shoot the main body of the film in the forest, on 16mm film, and the main title sequence in the studio. The challenge of the post-production stage was to work with a great range of aesthetic and quality resources, in the subtle framework of constructing a realistic world that denoted ‘little intervention’, leading to this bizarre world”
Superestudio’s Reel shows how the studio has a substantial commercial repertoire, so it’s great to see them dedicate some time to non-commercial projects!

At the Movies with Javier Mariscal; Michael Bierut on Design Observer about Mariscal‘s new animated feature, Chico & Rita.
Sebastian Onufszak updates with nine new projects