YellowBird Panoramic Showreel

Neat panoramic showreel from yellowBird.
| | |
| | |
Want to be on Motionographer? Submit your work now! | |
| | |
| | |
| | |
| | |
| | |
Get a daily digest of Motionographer's posts in your inbox. Subscribe now. | |
| | |
| | |
| | ||
| | | |
| | ||
December 10, 2011 December 9, 2011 December 7, 2011 Characters for the Sid Lee Collective interactive project “Globologos,” by Martin Allais and Stephane Poirier.
December 6, 2011 December 5, 2011
December 4, 2011
December 1, 2011 November 30, 2011
November 29, 2011
November 28, 2011
La Verdad, directed by Juan Delcan and commissioned by Chilevision, is a few months old but well worth going back to. It is a soulful exploration of the many truths embedded in the human psyche. (A subtitled version can be seen on the Nola Pictures vimeo page.) November 27, 2011
November 26, 2011 November 24, 2011
November 20, 2011 November 19, 2011 Monarchy of Roses, an amazing collaboration between the Red Hot Chili Peppers, illustrator Raymond Pettibon and director Marc Klasfeld. November 18, 2011 | ||
| | ||
| | ||
| | ||

Neat panoramic showreel from yellowBird.
Director Mischa Rozema says of this piece, “We knew we wanted to make something that would unsettle and menace the audience.” Mission accomplished, Mischa.
Not only is the ambitious undertaking of this year’s OFFF Barcelona main titles beautifully crafted, and quite obviously a labor of love, but it is equally as captivating as it is intense and powerful. On the narrative front, we are instantly sucked into a post-apocalyptic world of darkness, and it seems no idea was left unturned. Around every corner lies an unexpected twist for the awesome that might not be suitable for the squeamish.
PostPanic’s execution of the VFX is flawless on every front, elevating the piece as a whole to legendary status among main titles, but don’t take my word for it. Full screen it, grab your headphones, and see for yourself.

Frank Beltran’s reel is full of clever visual tricks. (Thanks, Umy!)

We recently Quickied an epic spot conveying the last 50 years of Amnesty International’s fight to uphold human rights around the world. Directed by Carlos Lascano and produced by Eallin Motion Art, the project is a lyrical retrospective told in metaphor and executed with a wide range of techniques, including live-action, stop-action, and 2D and 3D animation.
Carlos and Eallin’s Lukas Skalnik told us a bit more about the project and their backgrounds. Read the double interview here.

The trailer for Henry Waltz, directed by Emil Goodman, looks very intriguing…
Chute (Fall), by Mathias Lachal. Ecole Emile Cohl, 2011.

A lyrical cinetrope behind-the-scenes from Eric Dyer of The Bellows March and Copenhagen Cycles fame.