J.C. Herz’s RCAD Commencement Address
“Habits are powerful. Make them intentional.” Take a few to read over the recent RCAD Commencement Address by J.C. Herz.
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October 13, 2011 October 12, 2011 Hey Berlin Mographers, this animation & motion design meetup is happening next week, on Oct 18th at LEAP, Karl-Liebknechtstrasse 13. A passionate bear for Canal + Produced by 75, directed by Dutch director Matthijs van Heijningen for BETC Euro RSCG. CG by Mikros Images October 11, 2011 “Rendering Synthetic Objects into Legacy Photographs” offers an interesting new approach to compositing. (Thanks, Ben!) Also: Check out our round-up of other interesting papers from SIGGRAPH 2011. October 10, 2011 Carlos De Carvalho directs this haunting promo for Timber Timbre’s “Do I Have Power.” (Thanks to Dom for the tip!) October 7, 2011
October 4, 2011 Wednesday, October 26 @ The Book Club in London, raise a little money and watch a few films at the Screen Social. Submit your films here. October 3, 2011
September 30, 2011 Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14) September 29, 2011 Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info. September 27, 2011 Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.
September 26, 2011
September 21, 2011 The awesome Electric Projected needs our support for the reboot. Check out their kickstarter page and donate what you can to keep an amazing passion project such as this alive.
September 20, 2011
September 19, 2011
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“Habits are powerful. Make them intentional.” Take a few to read over the recent RCAD Commencement Address by J.C. Herz.

Lush blend of illustration and type in the recently updated portfolio of Mara Smalley

Bare Bones Films vol. 3, featuring original work from Alex Sebley, Alex Turvey, Bill Bragg, Daniel McKernan, Dave Prosser, Focus Creeps, Guy Verge Wallace, Hayley Morris, James Wignall, Matt Lambert and Ruff Mercy
Editor’s note: Like all our reviews, this is one is uncompensated and written purely out of curiosity about a new service that might be useful to some of our readers.
As a freelancer, there are two major hurdles to getting booked: 1) being sought after by employers, and 2) actually getting booked. Most freelancers focus the majority of their energy on the first task—as they should—leaving the second task to producers.
But the system of holds and the back-and-forth communication required to get a successful booking sometimes means things fall through the cracks. If you don’t believe me, take a peek at the typical producer’s calendar. Total. Nightmare.
To alleviate some of that confusion for both freelancers and producers, the folks at Haus created Frank. It was made specifically for booking freelancers in the motion design context, but it’s being used by more and more folks for other things (like babysitters and substitute teachers).

Dear Cyriak, how do you make so many things so fast? Hooray For Earth “True Loves” (Cereal Spiller Remix). Baaa.
Ambitious vfx-powered short film from SCAD MFA candidate John Balcome
From the site:
“Bird” is the thesis film/music video of Jon Balcome, an MFA Visual Effects student at Savannah College of Art and Design, and was created through the collaborative efforts of 39 students and 2 crew members of Option D Films.
And a little about Mr. Balcome:
I have always dreamed of creating something that would really get people’s minds churning and feel that I definitely accomplished that to a certain extent with “Bird”.
After I leave Savannah (LA bound!), I know that I will probably be taking direction from someone else for at least the next several years while beginning my career as a visual effects art, so I decided to seize this opportunity to create something where I could have full creative freedom in art direction/concept of the piece. There are some amazing resources here at SCAD (software, film equipment, RED cameras, talented people, etc) and I wanted to take full advantage of what was available to me.
Check out the film’s site for much more info, including breakdowns and concept development details.