Looks That Kill

Kevin Dart and Stéphane Coëdel direct this retro-flavored short starring Yuki 7 and the Gadget Girls
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September 21, 2011 Comments
September 20, 2011
September 19, 2011
September 16, 2011
September 15, 2011
September 14, 2011 S/M/L is proof that hard work for a failed pitch can still lead to amazing results. Kudos to Tendril for going for it even if the client didn’t. Via Bran DJ.
September 13, 2011
Dan Cassaro, a recent ADC Young Guns 9 winner, may be young, but I am not sure if he is a jerk. Seems like a nice guy to me. September 12, 2011
Congrats to Angus Wall and team at Elastic for taking home the Emmy for the Game of Thrones title sequence. September 10, 2011 September 9, 2011
September 8, 2011
September 7, 2011
September 6, 2011 Another great writeup from Jessica Hische, this one roughly detailing freelancers’ guidelines for pricing. Although geared mainly toward those in the static arts, there are some seeds of motion content in the comments. | ||
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Kevin Dart and Stéphane Coëdel direct this retro-flavored short starring Yuki 7 and the Gadget Girls

Tactile Waveforms by Superfad & Nando Costa

Fantastically detailed breakdown of the process behind the Super League title sequence from Supermachine

Don Hertzfeldt’s Lily and Jim makes its online debut! His third student film, made way back in 1997 on 16mm. “I would love some more coffee…”
Editor’s note: The following post is by a new Motionographer contributor and copy editor, Brandon Walter Irvine. Please welcome him aboard!
Perusing the Quickies the other day, I was blown away by the video for “Ice Cream,” (NSFW) a punchy track from Battles and Matias Aguayo.
Produced by Barcelona-based collective CANADA, the video moves through a sequence of utterly distinct effects. Unlike most videos, where themes and looks are slowly built up, often in an additive process, the “Ice Cream” clip walks a very careful line by introducing a particular effect or theme just long enough for it to be registered, only to move on to another. Even after a couple of viewings, I couldn’t make sense of it, but I was definitely intrigued.
Director Luis Cerveró of CANADA broke it down for me.
Yes, it has a structure
It may be apparently random, but it all has a reason to be there. In our treatment, we divided the song into different chapters of what deconstructing the idea of an ice cream cone melting could bring to your mind. So there was first the concept of two opposites colliding (cold vs. warm, starting with the ice cream drops hitting the hot bath tub water) and represented by the young pretty girls (hot water) against older ugly guys (chocolate cold) and all these double shots of something against its opposite (snowy mountains vs. desert, etc).