Mirada/Motion Theory: Watson MD
Mirada/Motion Theory for IBM’s “Watson MD” (credits here).
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February 21, 2012
Comments February 20, 2012 Incredible series of idents designed by Frans Schupp in 1982 for Dutch public broadcaster VARA. Schupp’s intern Robin Noorda (now an independent animator) recently restored the series – the master tape had been lost and the only remaining copy was badly degraded. Thank you to Liselotte Doeswijk for the tip!
To Do List is a sleek personal project from Yaniv Fridman and Daniel Luna. Sound design by WhiteNoiseLab.
February 17, 2012
Emma De Swaef & Marc James Roels bare just enough of this teaser for their upcoming stopmo short, Oh Willy… Check out this interview for more info. (Thanks, Michelle!)
February 16, 2012 In Mother Bird, The Mill NY marries a touching story about mother and child with compelling, photo-realistic CG for Hallmark. February 15, 2012
Created by Timmy Lunsford Were filing this quickie under “Avant Garde” with hopes that you might get a laugh on this fine Wednesday.
February 14, 2012 Londoners: Screen Social is on Wednesday 15th Feb at The Book Club, London EC2. Music videos, animation, experiments & shorts. More details here. February 13, 2012 February 10, 2012 This is the teaser for Colosse, A Wood Tale — Hornet’s sweet new short soon to come, directed by Yves Geleyn. As usual, they’re sharing lots of behind the scenes goodies! Designer and Creative Director Izik Roitman packs a wallop with a solid portfolio at Roitman.tv. | ||
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Mirada/Motion Theory for IBM’s “Watson MD” (credits here).
Back in June 2004, Reason Magazine printed a custom cover for every issue of their magazine (circulation: 40,000). Each subscriber received a magazine with a satellite photo of their neighborhood on the cover, and their home circled in red. An uncomfortable surprise to find in your mailbox, for sure.
More recently, Chris Milk and Google created the interactive musical experience The Wilderness Downtown for Arcade Fire, which utilized HTML5 and Google Maps to put your house directly into the music video.
Hybrid production company B-Reel, who also worked on The Wilderness Downtown, just finished Chaos in Your Town for State Farm Insurance. The experience uses the same “enter your address” starting point to create a customized version of The Mill’s “State of Chaos” campaign. We’ll see if giant robots shooting lasers at your house proves as successful as their last viral hit — OK Go’s “This Too Shall Pass” music video.
The New York Times article on the Reason Magazine stunt ends with the quote, “What if you received a magazine that only had stories and ads that you were interested in and pertained to you?” Seven years later, we have RSS readers that bring us only the news we want and iPad apps like FlipBoard and Zite. Not so far off.
For custom content, the inevitable next step is not having to type in your address at all. The applications would just read your computer’s IP address or your mobile device’s GPS location and auto-populate their content with the pertinent data. How hard would it be to have your cable box “know” where it is, and have the commercial streaming to your television integrate your Google Map imagery?
We’re curious to hear your thoughts on how successful this technology is as a marketing tool. How about as a storytelling tool? Will it become another expected facet of production (in the same way we’re often asked to produce complementary TV commercials, internet banners and print ads)? Does anyone find it disconcerting to have their data used to market to them?
Cristiano Trindade aka Gotacx launches a new site to gander at.
Just a few days away: Two events joined at the hip — motion (October 9-11) and The Adobe Post Show (October 12-14)
Superb! The word that can describe this sweet animation done by the talented folks of Punga, for Fox Retro. You can check it out on Gabriel Fermanelli’s blog (the director for this piece) for more info.

NYC Mograph meetup Wednesday, September 28 at 8 pm @ Mary O’s (32 Ave A).
Why Not Associates make nice poetic idents for Audi. Good audiodesign/music by Black Sheep Music and Noise International. 3D animation by Chris Cousins. Agency BBH London.