The First Digital 3D Rendered Movie (1972)
Check out this incredible early digital animation of Ed Catmull’s left hand, thanks to Robby Ingebretsen and his dad. (Via kottke.org.)
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July 29, 2011 July 28, 2011 July 27, 2011
July 26, 2011 July 22, 2011
July 21, 2011 Beautiful 2011 graduation project on title sequence history by Synple (aka Jurjen Versteeg). More on the concept & process at Watch the Titles. July 20, 2011
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July 14, 2011 Allegro Non Troppo by Bruno Bozzetto (1976). “A cross between Fantasia and Yellow Submarine with a touch of Fellini.” Via La Boca. Updated: HQ youTube version July 13, 2011 July 12, 2011
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Check out this incredible early digital animation of Ed Catmull’s left hand, thanks to Robby Ingebretsen and his dad. (Via kottke.org.)

More adorable hybrid work from Lucas Zanotto, this time encouraging kids to keep their parents in line.
“Only the Brave Foundation” from Brand New School and Antidote features some really nice artwork from the likes of Sol Linero, Damien Correll and Stephen Kelleher. The foundation, Only the Brave, handles a variety of projects and duties ranging from working with impoverished villages, to bringing clean water to those in need, to educating Ethiopian children. Watch the animation and, if you can, get involved. Via Bran.
Credits
Bronte (official film clip) from Gotye on Vimeo.
One of my favorite musicians, Wally de Backer (more commonly known as Gotye), recently released a fantastic new album Making Mirrors, and along with it, a bunch of great music videos by a number of Australian animators-filmmakers. I’m thrilled to find out that Ari Gibson and Jason Pamment (whom I got to know about through their “Sometimes the Stars” video for another Australian band, The Audreys, and Ari’s co-directed film, The Cat Piano) made one of those. Wally/Gotye is well known for his passion in supporting other Australian artists by collaborating with them. (You might remember Picture Drift’s work for his first hit single, “Heart’s A Mess.”)
The song “Bronte” is about a family saying goodbye to their old dog. Ari and Jason once again created a lush, beautiful backdrop for the story to unfold, as alive and whimsical as the characters that inhabit it. In contrast to “Sometimes the Stars,” the atmosphere is a less stark, but it is just as moving.
Read interview and behind-the-scenes work here…