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December 10, 2011 December 9, 2011 December 7, 2011
Characters for the Sid Lee Collective interactive project “Globologos,” by Martin Allais and Stephane Poirier.
December 6, 2011 December 5, 2011
December 4, 2011
December 1, 2011 November 30, 2011
November 29, 2011
November 28, 2011
La Verdad, directed by Juan Delcan and commissioned by Chilevision, is a few months old but well worth going back to. It is a soulful exploration of the many truths embedded in the human psyche. (A subtitled version can be seen on the Nola Pictures vimeo page.) November 27, 2011
November 26, 2011 November 24, 2011
November 20, 2011 November 19, 2011
Monarchy of Roses, an amazing collaboration between the Red Hot Chili Peppers, illustrator Raymond Pettibon and director Marc Klasfeld. November 18, 2011 | ||
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We’re making our way north to the Ottawa Animation Festival. Look for more coverage in the coming days. For those who can’t make it, the National Film Board of Canada has some wonderful past Ottawa films streaming online.
Minivegas has taken many forms throughout their existence. Live-action, animation and VFX-driven work was their strength for years. However, they have recently been putting a lot of their creative energy in developing new technologies in the site-specific, interactive space.
Although F5 was almost six months ago, we felt this project definitely deserved some sharing. For F5, they created an interactive installation that visualized images and text from the F5 twitter feed and converted them into abstract shapes. They also made a sound-responsive version that played during the Tanya Morgan performance.
It’s an exciting time to continue to see traditional directors moving into these new spaces. People like Radical Friend, Champagne Valentine and LEGS (just to name a few) have showed an ability to seamlessly transition into this experiential type work as their studio-based predecessors like Imaginary Forces, Digital Kitchen, etc.
The future is near. Kyle McDonalds uses openFrameworks for too-smooth face substitution. See also Arturo Castro’s results.
That go and Brite Futures’ “Too Young to Kill,” a music video sure to make you look more than twice. The number of scene/wardrobe/makeup changes would make any assistant director cringe!
There are certain moments where the video begins to feel repetitive, but that’s the trick that director Noel Paul used. Just as you begin feel a loop similar to three frames, he adds a twist at the end of each shot. The match cuts are a simple, nice touch that makes this music video interesting from beginning to end.
Body architect Lucy McRae and her directorial debut for Rat vs. Possum.
FOTB2011 — main titles by GMUNK and Black Swan.
