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January 30, 2012
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Barcelona-based multimedia and design studio Tigrelab created an array of immersive visuals for Com Va la Vida: a recent video mapping project on TV3. Making-of here. January 29, 2012
January 27, 2012 January 26, 2012
Check it out the hilarious (but NSFW) Bird Benny! By Kristof Luyckx and sound design by David Kamp.
January 25, 2012
Wednesday February 8th See No Evil presents an evening with BAFTA nominated David Prosser & Kristian Andrews from StudioAKA. Free entry, prizes, and music provided by Hear No Evil.
January 24, 2012
January 23, 2012
January 19, 2012
January 18, 2012
This teaser, which we all hope to some day see become a full length feature, is yet another gem in Headless Productions‘ beautiful collection of work. January 17, 2012
January 16, 2012 January 15, 2012 January 14, 2012
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We’re making our way north to the Ottawa Animation Festival. Look for more coverage in the coming days. For those who can’t make it, the National Film Board of Canada has some wonderful past Ottawa films streaming online.
Minivegas has taken many forms throughout their existence. Live-action, animation and VFX-driven work was their strength for years. However, they have recently been putting a lot of their creative energy in developing new technologies in the site-specific, interactive space.
Although F5 was almost six months ago, we felt this project definitely deserved some sharing. For F5, they created an interactive installation that visualized images and text from the F5 twitter feed and converted them into abstract shapes. They also made a sound-responsive version that played during the Tanya Morgan performance.
It’s an exciting time to continue to see traditional directors moving into these new spaces. People like Radical Friend, Champagne Valentine and LEGS (just to name a few) have showed an ability to seamlessly transition into this experiential type work as their studio-based predecessors like Imaginary Forces, Digital Kitchen, etc.
The future is near. Kyle McDonalds uses openFrameworks for too-smooth face substitution. See also Arturo Castro’s results.
That go and Brite Futures’ “Too Young to Kill,” a music video sure to make you look more than twice. The number of scene/wardrobe/makeup changes would make any assistant director cringe!
There are certain moments where the video begins to feel repetitive, but that’s the trick that director Noel Paul used. Just as you begin feel a loop similar to three frames, he adds a twist at the end of each shot. The match cuts are a simple, nice touch that makes this music video interesting from beginning to end.
Body architect Lucy McRae and her directorial debut for Rat vs. Possum.
FOTB2011 — main titles by GMUNK and Black Swan.
Stash
