BEELD.motion: The Man Who Had Never Been to the Cinema
BEELD creates this unique and poetic short film for Telecine Network.
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April 2, 2013 A very well put together promo for the BBC by Pulse Films, directed by Anthony Dickenson.
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Tonight! Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 29, 2013
NYC heavy-hitter Christopher Palazzo is back on the scene with a new site and grip of top notch projects.
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March 27, 2013
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March 26, 2013 Check out the impressive new reel by Brice Linane – the 3D wunderkind behind much of Buck’s output from the last few years March 25, 2013
March 21, 2013 Don’t we love looping animated GIFs? Well, check out this cool festival made just for them! May 31 from 9:00pm to 10:30 The Incredibly Short Film Festival in Sydney.
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Ultra-violent and possibly NSFW, this first-person POV music video for Biting Elbows’ “Bad Motherfucker” has racked up 5 million views in less than 3 days. Directed by Ilya Naishuller (Great Guns) as a follow up to “Insane Office Escape.” March 20, 2013 Join us for See No Evil’s 4th birthday celebrations with talks from the amazing Richard Hogg, and BAFTA winner Mikey Please!
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March 19, 2013
March 18, 2013
March 15, 2013 London duo Louis & McCourt create a futuristic Anime music video for Mat Zo & Porter Robinson’s “Easy”.
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March 13, 2013
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March 7, 2013 It’s not secret that I am a huge fan of 90 Degrees West. Based in St Louis, this groups of creatives has been producing consistently strong, intelligent and whimsical work. Here’s another great “piece that even an industry full of adults with ADHD can sit through.” See full credits and context article here. February 25, 2013
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February 20, 2013
February 18, 2013 Marco Iozzi has just posted an update of his latest work in visual effects design, look development, traditional photography and digital environments. Spectacular as always, including environment work for the recently posted God Of War trailer.
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February 17, 2013 Cheerful and abstract with loads and loads of particles. New personal work form Joost Korngold (aka Renascent). And family project since the audio is done by his brothers. February 14, 2013
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February 12, 2013 SCAD’s Professor Michael Betancourt has penned the first (that I know of) comprehensive history of motion graphics: The History of Motion Graphics: From Avant-Garde to Industry in the United States. February 11, 2013
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BEELD creates this unique and poetic short film for Telecine Network.
Sehsucht destroys a microscopic city for Vorwerk in “Stadt der Milben.” Making-of here.
Blizzard reveals an epic intro cinematic for Diablo III. (Thanks, Ash!)
We recently Quickied Keloid, a stunning trailer for an as-yet-unrealized film that the wizards at Barcelona-based Big Lazy Robot hope to produce someday. BLR’s director, J.J. Palomo, was kind enough to shed some light on the project and share some behind-the-scenes goodies.
Where did the idea for this film come from?
We’re very few in our team, so we’re very close and always hear what each other have to say in terms of ideas for possible future projects. Some 12 months ago, one of the animators came up with this idea of mechanical SWAT forces rushing into a clandestine drug lab also operated by robots.
We all agreed on two things: The idea was very, very appealing, but it still needed something else beyond just satisfying a visual appetite. We spent some months reading, surfing the web, looking here and there to build up a solid story.
In my opinion, what we’ve got today is something bigger that the art itself. We are very fond of following our appetites instead of our ideas, and our biggest appetite for this project was to showcase a real fresh perspective on sci-fi panorama.

Is there only the trailer?
The story we want to tell is nothing of an easy one, so we don’t know if a short movie can cover it all. Hopefully, it can.
We have all the characters, script and art ready. I mean, the trailer displays some of them, but there’s much more behind it. We would like, of course, to go for a feature film, but the biggest thing we’ve done so far are commercials, so we need to move slowly here.
We do advertising, mostly: Projects are never too big, the pay is good and it’s a field that’s evolving so much. This allows us to “buy” time to devote to more artistic goals, those we really love. We’re in the middle of a commercial project right now that will keep us busy until next March, so it’s a good while to sit and think.
Digital Domain and Neil Huxley (Mothership) crafted this stunning teaser for Activision and High Moon Studios’ Transformers: Fall of Cybertron title.
The 2012 Vimeo Festival + Awards call for entries has begun. Do it!
The main sequence for X-Men: First Class, produced by Prologue, has a special retro/2D hand-made feel and serves as a strong example of how a simple execution can go a long way when put together with well-developed conceptual thinking. Director Simon Clowes kindly shared some words with us.
I saw this as an opportunity to make something that stands out not for its visual complexity or photorealism but for its simplicity and sensibility.
As he puts it, they had the technology and the talented artists to pull off a really complex sequence; however, prioritizing the concept and having to deal with various limitations eventually led them to this stylish and remarkable result.