Trent Reznor + Karen O: Immigrant Song
Trent Reznor and Karen O interpet Led Zeppelin’s iconic “Immigrant Song” in this music video, masterminded by the wizards at Blur.
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December 10, 2011 December 9, 2011 December 7, 2011 Characters for the Sid Lee Collective interactive project “Globologos,” by Martin Allais and Stephane Poirier.
December 6, 2011 December 5, 2011
December 4, 2011
December 1, 2011 November 30, 2011
November 29, 2011
November 28, 2011
La Verdad, directed by Juan Delcan and commissioned by Chilevision, is a few months old but well worth going back to. It is a soulful exploration of the many truths embedded in the human psyche. (A subtitled version can be seen on the Nola Pictures vimeo page.) November 27, 2011
November 26, 2011 November 24, 2011
November 20, 2011 November 19, 2011 Monarchy of Roses, an amazing collaboration between the Red Hot Chili Peppers, illustrator Raymond Pettibon and director Marc Klasfeld. November 18, 2011 | ||
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Trent Reznor and Karen O interpet Led Zeppelin’s iconic “Immigrant Song” in this music video, masterminded by the wizards at Blur.
LA-based Royale launched their new site last week, tearing the wrapping off a stack of new work, including a charming holiday short, Impossible Present.
In other words, they’ve been very busy.
But Royale’s approach to busy-ness — and business — is a little different than what you might expect from a studio of their caliber. As part of our work/life series, we’ll dig into Royale’s work philosophy after getting a little behind-the-scenes dirt on Impossible Present.
We chatted with Royale Partner and Creative Director Jayson Whitmore via e-mail.
Why did you guys decide to do a short?
Every year we like to invest back into our company and try to push the team creatively with an internal project. [Partner/Creative Director] Brien Holman, [Partner/Executive Producer] Jen Lucero and I have always loved character animation and decided this year it would be fun to do a company holiday piece as a gift for our clients, friends and family. We wanted to take the piece from start to finish and have complete control, including the option of exploring a darker storyline.
Where did the idea for the short came from?
The idea came one day when I was trying to open a plastic package that was sealed shut … you know the ones. They usually house a cool, little electronic device in an impenetrable plastic casing that, more often than not, draws blood before you are able to enjoy the product inside.
Brien and I have a dark sense of humor and are huge fans of great animation — often a fun combination. Over coffee one morning, we were reminiscing about how awesome older animated shorts used to be when they were willing to blow up the main character. Daffy always lived despite having his face shot off.
Sadly, kids are now subjected to uber-safe programming due to fears that they might do something dangerous themselves. Funny enough, no one I’ve ever known who loved Looney Toons has ever done anything remotely as dangerous as setting off a pile of dynamite and/or shooting their friend in the face. Thus, Impossible Present was born.
How many ideas/revisions did the story go through before you knew it was ready for production?
We wanted to keep the story simple. There were a few minor revisions along the way; however, it pretty much stayed intact from the beginning. We presented to the internal team to see if there was interest in the story and everyone responded positively to our treatment.
What was the most challenging aspect of making the film?
The challenging part about the short was trying to maintain normal working hours while staying on schedule. As a company, we strive very hard to find efficient ways of working together as a team with the common goal of meeting and exceeding client expectations while giving artists the space to live their lives.
We believe that by letting artists have sane working hours, they will come back more rested and therefore more energized and inspired the following day. Inspiration happens off the clock. Too many late nights in a row depletes an artist’s creativity and attention to detail, leaving more room for error.

Faux Images IV, tomorrow! (Tuesday, 13 December 2011). Featuring Robert Seidel, Fons Scheidon, and Ben & Julia. Details here.

TDC Title Design is still open for entries!
Erica Gorochow explores The Fundamental Elements of Design. (Thanks, Bran!)
Killer tricks in these titles for the Lockwood Skateboard Team, by Cyril Izarn.