PES for Het Klokhuis

PES strikes again, this time to create a title sequence for Dutch show “Het Klokhuis.”
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Want to be on Motionographer? Submit your work here! |
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May 21, 2013 A heartbreaking and skillful tour-de-force from the west coast Buck office. With an emotive score by Antfood this piece tackles the difficult subject of child sexual abuse.
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May 15, 2013 June 4th is almost upon us which means it’s nearly time for See No Evil’s! This time we are joined by VFX aficionado’s Analog Studio. May 13, 2013
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Estudio Ronda is back with these awesome funky characters for Nick! Impossible not to love it! May 6, 2013
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April 15, 2013 New stuff from Plenty! With these ID’s for NICK, they have created a nice “handmade look” combining frame-by-frame animation and 3D. You can check out more details of the project right here.
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Posts tagged as miniature
PES for Het Klokhuis
AICP Southwest 2011 Sponsor ReelDallas-based Element X Creative garners a trainload of nostalgia for the AICP Southwest Awards Show with their 2011 Sponsor Reel. Through a mixture of blood, sweat, miniatures and CG, the Element X team “came together to write, storyboard, model, texture, shoot, rig, animate, composite and edit the final [5-minute] product” in short order. Four weeks, to be exact. Of course, the storyline echoes several other time-rigging plots in popular science fiction media (e.g., two Back to the Future Easter eggs), but in this rendition, hitching a ride through Element X’s innocent world of special relativity makes sitting through a usually long drawn-out list of sponsor logos feel like it’s passing at the speed of light. Element X was kind enough to elaborate on the development from beginning to end — nuts, bolts, and tools. Check out the process in their own words after the jump. Martin Allais (boolab) for Elisava
Animatorio for Cartoon Network
Javier Leon’s Mastery of The MiniatureDon’t you just love motion pieces that make you stare at them endlessly, yet you still can’t work out if it’s all real paper/clay/wood and so on, or if it’s…CG? Javier Leon is Hornet’s CG Art Director, responsible for those deceptively ‘real’ planets in British Gas spots directed by Guilherme Marcondes. Those spots, along with National’s ‘claymation’ Amex piece, are some of the most stunning examples that blur the line between ‘real’ and… well, ‘not’. I find Javier’s passion for pushing the limits of his craft intriguing. In essence, it’s no different than that of the ‘old masters’, like Bernini perhaps, who made marble look like soft flesh or delicate fabric. Javier, for his part, made this living room set so convincingly ‘real’ you can almost reach in, pick up that porcelain doll and sell it for 55p at the charity shop! So I caught up with Javier to find out more about his artistic vision. |
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