A couple years ago, it seemed everyone and their mother was shooting with a Phantom camera, capturing life’s minutiae in ultra slow-motion. While the results were often beautiful, without any genuine motivation, the practice felt empty. And so it passed.
But when slow motion cinematography has a point‚ÄĒah, that’s something different, isn’t it?
I submit exhibit A, “Nuit Blance,” a short film directed by Spy Films‘ Arev Manoukian. Set in a film noir Paris, the film captures a surprisingly violent moment of connection between two strangers attracted to each other with such magnetism that neither panes of glass nor speeding vehicles can keep them apart.
The entire film is told in slow-motion, with sculptural explosions of glass and water enshrining the two would-be lovers like heavenly gossamer. The elongated seconds echo the longing each character feels for the other, and time itself seems to be an expression of their aching desires. Making of and credits after the jump…