Lucky by EB Hu
Lucky is a film that was made for Twenty120 earlier in the year. Attentive readers may already have seen it, but it’s really too gorgeous…
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Bran Dougherty-Johnson • 14 years ago
Ad Land
Lovely animation from London based Coy directors, Mark Denton and Seth Watkins. This charmingly quirky spot was created to raise awareness for the new advertising…
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James Wignall • 14 years ago
Cisma: Adobe “Le Sens Propre”
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/04/adobe_longversion_050809-2.mov 640 480] Q&A with Cisma What was the brief on this project? Was it wide open, in terms of script/concept? Basically it was a…
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Justin Cone • 15 years ago
DBA Pen
DBA Pen: An elegant product information video for a 98% biodgradable pen by Dirt Empire. via Surfstation
Bran Dougherty-Johnson • 14 years ago
Off to Lalaland
Josie’s Lalaland is an evocative and quite powerful short film by EB Hu, a designer and animator in London. Beyond the moving narration and soundtrack…
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Bran Dougherty-Johnson • 17 years ago
The Genius of Play
Working with Mash Studio, Tom Rainford focused his directorial talents on The Genius of Play, a 9-part animation series for for the Toy Industry Association. Each of the 9…
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Justin Cone • 9 years ago
How To Feed The World
How To Feed The World is a 9-minute film directed by Denis van Waerbeke for an exhibition called Bon Appetit at a science museum in…
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Bran Dougherty-Johnson • 14 years ago
Ipiranga Shop “Stuff”
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/04/stuff-motionographer.mov 489 330] Client: Ipiranga Shop Agency: Talent Production Studio: Ioio Filmes Direction: Vellas & Laga Animation: Vellas Sound design: A9
Justin Cone • 15 years ago
Иван Дорн — Дичь
Joe Donaldson • 4 years ago
須藤元気(Genki Sudo)「WORLD ORDER」の”MACHINE CIVILIZATION”フル
Imagine and OK GO video, but with a Japanese spin. Okay now stop imagining and click play! Source: See No Evil
James Wignall • 13 years ago
Interactive experiences at the human scale: Making CenterStage with Andrew Bell and Lutz Vogel
It’s rare that a single project can sum up the possibilities for the convergence of motion design and interactive experiences the way that CenterStage does. Created…
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Justin Cone • 9 years ago
✌️Farewell Motionographer✌️
"Farewell has a sweet sound of reluctance. Good-by is short and final, a word with teeth sharp to bite through the string that ties past…
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Joe Donaldson • 4 years ago
Siggraph 2011: Damian Nenow “Paths of Hate” Interview
The trailer for Paths of Hate showcased its effortless combination of comic book visual style with dynamic dogfighting camera motion and kinetic editing. The film…
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Michelle Higa Fox • 12 years ago
Full Coverage: Talking Tron with Digital Domain
We had a chance to catch up with the crew that brought TRON: Legacy to life, Digital Domain. Not only were they the forces behind…
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Justin Cone • 13 years ago
LIGHTS – 光
Daniel Coutinho • 6 years ago
Quickie: Beautiful high-speed footage project by fashion photographer Sølve Sundsbø: Perroquet
Beautiful high-speed footage project by fashion photographer Sølve Sundsbø: Perroquet
Jon Gorman • 15 years ago
Adobe and Cut&Paste: “See What’s Possible”
When I saw that the grand prize for the recently announced “See What’s Possible” Challenge from Adobe and Cut&Paste was $20,000 USD, I did a…
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Justin Cone • 16 years ago
Fernet Branca: An Interview With Laurent Barthelemy
We sat down for a quick interview with Laurent Barthelemy, the director of the beautiful Fernet Branca spot we posted here on Motionographer. Here is…
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Jon Saunders • 15 years ago
Making “Uncanny Valley,” an eye-popping sci-fi short about a very possible future
The sci-fi short "Uncanny Valley" presents a grim but very possible future in an eye-popping style laced with beautiful VFX work. Our chat with the…
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Justin Cone • 8 years ago
Inside SIGGRAPH 2006
Monster Samurai / Grace McNamee Doll Face / Andrew Huang Brush / Victoria Caution Fog (Niebla) / Santi Fort e-scape / Masakazu Takano Mask of…
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Justin Cone • 18 years ago
Cosmos: A Spacetime Odyssey
The all-star crew behind the reboot of a classic TV series brings something sorely needed in science: art direction.
Justin Cone • 10 years ago