Nathan Love for Pop Secret “Dark Knight”

As Shakespeare said, “To thy own self be true.” In Pop Secret’s “Dark Knight,” Nathan Love gets back to basics, and back to what they… Read more

Brandon Lori • 14 years ago

Pixels Q&A with Patrick Jean

With over 2,026,435 views of the official film on Dailymotion in the six days since its release, Pixels has really spread far and wide very… Read more

Bran Dougherty-Johnson • 14 years ago

School Profile: Ringling College of Art & Design

Our second school profile looks at Ringling College of Art & Design's Motion Design program

Justin Cone • 8 years ago

AE to C4D: A new (more comprehensive) solution

Some of you may be familiar with Paul Tuersley’s excellent scripts allowing for the importation of cameras and other objects from After Effects into Cinema… Read more

Justin Cone • 17 years ago

Michel Gagne: Ratatouille Taste Visualizations

If you’ve seen Ratatouille, then you’ve marveled at the expressionistic motion graphics sequences that accompany Remy (and later Emile) as they exalt the subtle pleasures… Read more

Justin Cone • 17 years ago

Danger Danger! The Holograms for kap10kurt

Now and again we get a submission here at motionographer mansions that makes me smile from ear to ear and scream for everyone to come… Read more

Simon Robson • 16 years ago

Ben & Julia: Dove Nets

Updated with Q&A A couple of weeks ago I posted a music video by Ben & Julia for The Main Drag‘s song ‘Dove Nets’. Ben… Read more

Lilian Darmono • 14 years ago

Fairness For Visual Effects Artists: Q&A

Q&A: Your letter to James Cameron this week has stirred up a lot of discussion in the Motion Design and Visual Effects fields about the… Read more

Bran Dougherty-Johnson • 14 years ago

GEL 2010 T&F Q&A

The original styleframe board which T&F presented. What was the brief for this piece, and how did you approach coming up with the concept? The… Read more

Bran Dougherty-Johnson • 14 years ago

In-Depth: Comedy Central Re-Brand

Editor: The following post is a guest entry from JaegerSloan Inc., a new venture headed up by Doug Jaeger and Kristin Sloan. For our first… Read more

JaegerSloan • 13 years ago

Shape Shifter

[qt:http://motionograph.wpengine.com/wp-content/uploads/2011/01/chrlx_shapeshifter.mov 960 540] Interview with Director Alex Weil First of all, would you talk a little bit about yourself, your background and your current position… Read more

Daniel Coutinho • 13 years ago

The Resale Right

Le droit de suite (The Resale Right) — VA from Pierre-Emmanuel Lyet on Vimeo (via Drawn). Time and again I have been moved by the… Read more

Lilian Darmono • 13 years ago

SXSW 2012: Film Title Design Awards

photo credit: Art of the Title The Film Title Design Awards program is unique among the SXSW screenings in that it opens with a panel… Read more

Michelle Higa Fox • 12 years ago

Paying To Work For Free

Last week VFX Soldier exposed a scheme by Digital Domain to offer students at their taxpayer-subsidized university program the opportunity to work for free on… Read more

Bran Dougherty-Johnson • 12 years ago

Superteam proves power of collaboration in title sequence for FITC Tokyo

To kick off the FITC Tokyo 2015 conference, a superteam of artists working around the world (and sometimes around the clock) created a sublimely glitchy… Read more

Justin Cone • 9 years ago

Interview: The Lessons Behind We Are Royale’s Manifesto

Surviving eight years as a motion design studio is no easy feat. In addition to riding the unpredictable ebb and flow of service work, motion design… Read more

Justin Cone • 9 years ago

Telltale’s “Minecraft: Story Mode:” Changing the Game?

Telltale explains how they blur the lines between gaming and storytelling in "Minecraft: Story Mode," and how they connect with their audiences online and offline.

Caitlin Campbell • 8 years ago

Dan Savage and the importance of community building

We are thrilled to bring you this month's guest post by none other than New York's very own, Dan Savage. Dan is an incredibly talented… Read more

Joe Donaldson • 8 years ago

Technical Breakdown: Seeing Without Sight

John Likens, from Method Studios, on pitching and creating the opening sequence for SEE Season Two. Recent winner of a Motion Award for best tv/streaming… Read more

John Likens • 2 years ago

Shilo: Winning the War

Watch “The War” Hand-drawn storyboards Shots from the blue screen shoot Style frames Stills from the finished product Motionographer’s Jon Saunders interviewed Andre Stringer and… Read more

Justin Cone • 16 years ago

Book Review: Uncredited

As soon as I heard about Uncredited, a new book on the history and current state of film title design, I bought it. It came… Read more

Justin Cone • 16 years ago

Review: Art of the Modern Movie Poster

Created by Judith Salavetz, Spencer Drate, and Sam Sarowitz (with elegantly concise writing by Dave Kehr) Art of the Modern Movie Poster is the definitive… Read more

Justin Cone • 15 years ago

Paris is burning

Paris is on fire again (the city, not the socialite whore). Every time I turn around there’s another hot track or remix or…. girl and… Read more

Justin Cone • 17 years ago

Digital Domain Campaigns for Lexus

Hot off the heels of Benjamin Button’s Oscar success, Digital Domain’s commercial division shows us what they’ve been up to with a three-spot campaign for… Read more

Jake Sargeant • 15 years ago