SPECTRUM: Yussef Cole

For this month's SPECTRUM profile, we talked with Bronx-based motion designer Yussef Cole about experimentation, critical thinking and questioning meritocracy.

Lilian Darmono • 8 years ago

SoundOn with Sono Sanctus

What if .gifs didn't have to be silent? In this Motionographer Q&A, we chat with Wesley Slover to find out a bit more about his… Read more

Joe Donaldson • 5 years ago

EyeballNYC’s hilarious P.O.W.E.R. video

EyeballNYC’s hilarious P.O.W.E.R. video

Justin Cone • 18 years ago

Mark Okon: W+K Tokyo Lab

Mark Okon did some interesting work while interning with W+K Tokyo Lab this past summer. The following are introductory pieces for an eight-part series that… Read more

Justin Cone • 18 years ago

A52 and W+K Tokyo for Nike Lab

Directed internally by 3D Supervisor Andrew Hall, A52 created this simple, yet stunning film for Nike Lab via W+K Tokyo. Reminiscent of some of the… Read more

Matt Lambert • 16 years ago

W+K Amsterdam for Nike Women

Working with production companies Paranoid and Stink Digital, agency W+K Amsterdam have certainly been cooking something special in their Dutch oven if their latest campaign… Read more

James Wignall • 16 years ago

W!ldbrain creates a cute 3D Munny animation for Kidrobot.

W!ldbrain creates a cute 3D Munny animation for Kidrobot.

Tyquane Wright • 16 years ago

Motion Theory, W+K Portland and Prince for Target

Motion Theory, W+K Portland and Prince for Target

John Cranston • 15 years ago

W+K: onedotzero identity development

Great case study from W+K about their development of the identity system for onedotzero. Londoners can see the installation in the Design Museum as part… Read more

Justin Cone • 15 years ago

Assembly + W+K Portland: Sony “Be Moved”

Beautiful transitions and CG work in this scroller for Sony created by New Zealand-based Assembly with agency W+K Portland.

Justin Cone • 11 years ago

Scott Benson: Rendezvous “The Murf” Interview

Scott Benson can’t seem to stop putting out creative work, whether it’s light-hearted (Opposites, Future Trends in Motion Graphics) or helping himself and others ponder… Read more

Michelle Higa Fox • 13 years ago

How To Make Sure You Can Show Work In Your Portfolio

Can’t say Title (confidential) by Sebas & Clim You’re in the midst of production — the style frames you designed were approved, the work-in-progress animations… Read more

Bran Dougherty-Johnson • 11 years ago

Making “Uncanny Valley,” an eye-popping sci-fi short about a very possible future

The sci-fi short "Uncanny Valley" presents a grim but very possible future in an eye-popping style laced with beautiful VFX work. Our chat with the… Read more

Justin Cone • 9 years ago

Promax Session: STATE OF DESIGN / NSFW

Weren't able to attend Promax this year? Don't worry, we have your back and are happy to bring you a recap of the STATE OF… Read more

Staff • 5 years ago

Motionographer is hosting a 2020 CENSUS

Motionographer is conducting our 2020 industry census! We’re asking members of the motion community to share their perspectives and help us chart the course of… Read more

• 4 years ago

Don’t Box Yourself In: Four Reasons why Creative Exploration is Good for Your Career

Director and Creative Director at Scholar studio, Michael Tavarez, tells us why having a ‘specialty’ isn’t the only way to survive and thrive in Motion… Read more

Michael Tavarez • 3 years ago

Studio Stories: 15 years of Awesome INC

Things were vastly different in our industry fifteen years ago – many schools didn’t even offer Motion Design as a course of study; people weren’t… Read more

Ashley Kohler • 3 years ago

The Vendor-Client Relationship in the Real World Q&A

The Vendor-Client Relationship in the Real World has had over half a million views and over 500 blog posts written about it since it was… Read more

Bran Dougherty-Johnson • 15 years ago

Smithson v. Oeffinger Layer Tennis Recap Q&A:

[qt:http://motionograph.wpengine.com/wp-content/uploads/2010/03/SMITHSON_VS_OEFFINGER2_smx.mov 788 245] Questions: Did you enjoy the match or was it stressful? Daniel Oeffinger: I enjoyed getting to work on something in a completely… Read more

Bran Dougherty-Johnson • 15 years ago

Work/Life: The 40 Hour Work Week

Photo by adesigna The headline for this post probably strikes most of you as a joke — at least those of you working in motion… Read more

Justin Cone • 13 years ago

Motionographer’s Role in the Industry (Right Now)

We recently posted a short op-ed piece that sparked a good deal of comments. In sharing this news, Motionographer was a bit late to the… Read more

Justin Cone • 12 years ago

Working backwards: From rig to character to story with Andrew Vucko

Editor’s note: This animation features cartoon-style nudity and sex, and therefore might be NSFW for some office environments. As any experienced animator will tell you, character animation… Read more

Justin Cone • 9 years ago

Late Night Work Club is here to save 2016

Let's face it, 2016 has been a weird and divisive year. Thankfully, Late Night Work Club is back to instill hope and unite us all… Read more

Joe Donaldson • 8 years ago

Konx-Om-Pax: You Got Me Up

It’s the simple things in life. Cats purring in your arms. Black and white doodles in your notebook. Rotoscoped video of cats in your arms… Read more

Justin Cone • 18 years ago