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February 7, 2012
Bold patterned designs on Gretel‘s classy visual package for Vh1 Critics’ Choice Movie Awards 2012. Comments February 6, 2012
John Whitney: Permutations Produced in 1966. Written in GRAF and FORTRAN, and recorded in black and white from the monitor of an IBM 360 mainframe. Color was added afterwards using an optical printer. February 5, 2012
February 4, 2012 February 3, 2012
London-based production studio Nearly Normal construct a brooding and introspective short film using papercraft models in The Wolf I Used To Be.
Audiovisual design studio No-Domain put together this refreshing video piece titled Lullaby Crocodile.
For the exhibition at the Royal Castle in Warsaw, Poland, Novinastudio created this animation to tell the story of the famed castle: The Royal Castle – from Destruction to Reconstruction. February 2, 2012
Herb Lubalin demystifies the process and opens up about the creation of his famed PBS logo.
Straight from the AT&T vault, Saul Bass’s 26 Minute pitch video to AT&T, introducing the new look: the largest corporate identity design in American history, at the time. February 1, 2012
New shop on the block, Sebas and Clim, pop onto the scene with Tiny Story: a spiffy little motion piece to celebrate the launch of their official website.
Animator Alasdair Willson hits a grand slam with a fresh, new website packed with big-name projects.
Watch a five-year-old identify an array of corporate logos and offer insight into their brand in Fresh Impressions on Brandmarks (from my 5-year-old).
Filmmaker Danny Cooke has documented the dying art of letterpress in a short film titled Upside Down, Left to Right: A Letterpress Film. January 31, 2012
Los Angeles-based designer Michael Lozada Tello shows a range of snazzy work on his website, HelloTello.com. January 30, 2012
Barcelona-based multimedia and design studio Tigrelab created an array of immersive visuals for Com Va la Vida: a recent video mapping project on TV3. Making-of here. January 29, 2012
January 27, 2012 | ||
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Tyquane Wright: Dive
To wrap up his time at NYU’s Digital Imaging and Design program, Tyquane Wright created “Dive,” an abstract deconstruction of his creative process. Mike Genato’s excellent sound design adds tension to the animation and helps drive the climatic home.
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