Big Spaceship goes analog for their new endtag
Big Spaceship goes analog for their new endtag
 |
||||||
 |
||||||
|
|
||||||
 | ||||||
 |
 |
|
 |
 |
 |
|
Want to be on Motionographer? Submit your work now! |
|
 |
|
 |
|
 |
|
|
|
|
 |
|
|
|
|
 Get a daily digest of Motionographer's posts in your inbox. Subscribe now. |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
 |
|
|
|
|
|
|
|
 |
||
 |
 |
 |
 |
||
|
|
||
|
|
|
|
|
|
||
 |
||
 |
|
 |
 |
||
 |
||
 |
|
 |
 |
||
|
November 20, 2009
November 19, 2009
Enjoy a fascinating discussion about filmmaking and art in A Talk with Alfred Hitchcock (thanks Jimmy!).
Brought to us by Luma, check out The Making of Standard Bank Global, from concept to execution. November 18, 2009
Also, dont miss out on his great list of stuff to live by. Shel Silverstein would be proud.
London based director Scott Altman hits the ground running with a frenetic reel, and a slim but slick portfolio.
As an extension of Asylum Visual Effects, Asylum Design is making its mark with three reels showcasing their work in main titles, screen design, and commercial productions. November 17, 2009
November 16, 2009
Ross Neil and Matt Clark direct an alternate “Strawberry Swing” music video. (See Shynola’s official video.) Thanks, Hector! November 14, 2009 Nikon Film Festival open for entries — closing 12/15. November 13, 2009
Toronto based Alchemy drops this wicked spot for MEDT (Ontario Ministry of Economic Development)
November 12, 2009
|
||
 |
||
 |
||
 |
||
|
|
||||||
|
|
||||||
Big Spaceship goes analog for their new endtag
Big Spaceship goes analog for their new endtag
6 responses to “Big Spaceship goes analog for their new endtag” |
||||||
| | ||||||
| |
Wednesday, August 20th 2008 at 1:40 pm |
That’s great, but do I have to pay $ 25 to watch the making of?
Wednesday, August 20th 2008 at 2:15 pm |
I agree it’s awesome, but the fact we have to pay $25 to watch it, kinda kills it for me….but we are in some sort of recession so every dollar counts i suppose.
Wednesday, August 20th 2008 at 1:50 pm |
The making of piece on Lynda.com was interesting, especially that they composited in the mouth completely separately from the mountain top (and shot footage of the mountain tilted back to match the movement).
(Fortunately, my company pays for a subscription to Lynda so we can watch everything there all the time.)
Wednesday, August 20th 2008 at 3:12 pm |
I’ve actually asked Lynda.com to share the making of for free on Motionographer. Seems like it be good promo for them. We’ll see if I hear anything back…
Wednesday, August 20th 2008 at 6:53 pm |
I didn’t watch the for-pay videos, but by the look of the free intro vid, their technique for the typography was much more simplified than how it used to be done, even in the 80s. (if anyone is interested)… Rather than laying on a green slab, dimensional model type like that would’ve been mounted on thin railings, thus allowing for it to fully interact with any backlighting (something the Big Spaceship piece noticeably lacks), then the rails would be easily hand roto’ed out (the whole point of using model type back then was to exploit spectacular lighting techniques that were unachievable synthetically). Or it would be mounted on glass, shot on MoCo with a second pass of the letters in black shadow with a white background as a ready-to-go matte pass to remove all the reflections of the lights in the glass.
Wednesday, August 20th 2008 at 7:50 pm |
Good lord, what a gigantic pain in the ass. Interesting, though. Thanks for the info!