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February 10, 2012 This is the teaser for Colosse, A Wood Tale — Hornet‘s sweet new short soon to come, directed by Yves Geleyn. As usual, they’re sharing lots of behind the scenes goodies! Comments Designer and Creative Director, Izik Roitman, packs a wallop with a solid portfolio at Roitman.tv. Comments Toronto based illustrator, W. Scott Forbes turns his gorgeous illustrations into a cinematic and carefully composed tale of adultery in the Hollywood Hills. Comments February 9, 2012 Stimulant has created LoopLoop, a visual musical sequencer that runs on the Sifteo cubes. LoopLoop uses an animated visual language as well as touch, motion, and placement of the cubes to create music. Very cool. Comments February 8, 2012 Istanbul creative agency Antilop created this audio-visual and interactive installation for Coca-Cola’s 125th Anniversary Exhibition’s Future Room concept for Turkish modern-art museum santralistanbul. Comments Check out these five short, sweet and video-artsy pieces by Canadian motion designer Nicolas Ménard: Futile Devices. Comments TONIGHT 7pm See No Evil presents an evening with BAFTA nominated David Prosser & Kristian Andrews from StudioAKA. Free entry, prizes, and music provided by Hear No Evil. Comments February 7, 2012 Bold patterned designs on Gretel’s classy visual package for Vh1 Critics’ Choice Movie Awards 2012. Comments February 6, 2012 Cause & Effect: Phenomenal Handclap Band “The Right One” Comments John Whitney: Permutations Produced in 1966. Written in GRAF and FORTRAN, and recorded in black and white from the monitor of an IBM 360 mainframe. Color was added afterwards using an optical printer. Comments Curtis Baigent updates. Comments February 5, 2012 Trailer for Joseph Pierce’s new short The Pub is online. More stills and some photos from the shoot on his Flickr. Comments February 4, 2012 Shilo revamps their website with some new work and their own Instagram feed. Comments February 3, 2012 London-based production studio Nearly Normal construct a brooding and introspective short film using papercraft models in The Wolf I Used To Be. Comments Audiovisual design studio No-Domain put together this refreshing video piece titled Lullaby Crocodile. Comments For the exhibition at the Royal Castle in Warsaw, Poland, Novinastudio created this animation to tell the story of the famed castle: The Royal Castle – from Destruction to Reconstruction. Comments February 2, 2012 Arno Salters & Stink Digital for Wrangler Comments Herb Lubalin demystifies the process and opens up about the creation of his famed PBS logo. Comments Straight from the AT&T vault, Saul Bass’s 26 Minute pitch video to AT&T, introducing the new look: the largest corporate identity design in American history, at the time. Comments Director Vinicius Costa updates his website with a range of surreal and whimsical works. Comments February 1, 2012 New shop on the block, Sebas and Clim, pop onto the scene with Tiny Story: a spiffy little motion piece to celebrate the launch of their official website. Comments Animator Alasdair Willson hits a grand slam with a fresh, new website packed with big-name projects. Comments Looking forward to the full short, Murder. Comments Watch a five-year-old identify an array of corporate logos and offer insight into their brand in Fresh Impressions on Brandmarks (from my 5-year-old). Comments Filmmaker Danny Cooke has documented the dying art of letterpress in a short film titled Upside Down, Left to Right: A Letterpress Film. Comments



Mark Malloy and MassMarket Shift Shapes for XBOX:360 Fable II Posted by Matt Lambert Mark Malloy gets a huge assist from MassMarket for this chilling new spot for XBOX360: Fable II. This one’s right up my alley with its subtle use of seamless VFX work to reinforce a beautifully shot, moody narrative. So far MassMarket’s LA office seems to be living up to its slightly older East Coast brother’s rep. On a side note, recognition is also due to T.A.G. Over the past few years they have consistently provided some of the world’s best talent with inspired creative and narratives that lend themselves executions of cinematic proportions. Client: XBOX 360 Product: Fable II Title: Destiny Agency: T.A.G. Creative Directors: Scott Duchon, Geoff Edwards, John Patroulis Art Director: Rey Andrade Copywriter: Joe Rose Agency Producer: Hannah Murray Production Company: Furlined Director: Mark Molloy Executive Producer: David Thorne Line Producer: Wilf Sweetland Director of Photography: Toby Irwin Editorial Company: Lost Planet Editor: Paul Martinez Producer (Editorial): Christie Price VFX: MassMarket, Los Angeles Lead VFX Artist: Thibault Debaveye VFX Producer: Luisa Murray Shoot Supervision: Thibault Debaveye, Sarah Eim Producer: Luisa Murray Lead Artist: Thibault Debaveye 2D Artists: Lane Jolly, Todd Hemsley, Michael Dobbs, Krystal Chinn 3D Artists: Matt Rosenfeld, Dave Lo, Colin Cromwell Music/Sound Design: Human Composer: Gareth Williams Producer (Music): Dan Pritikin Mix: Lime Studios Mixer: Rohan Young Posted on 21 October 2008 \| http://justincone.com justin This is a powerful bit of filmmaking. It’s an incredibly simply concept that could have easily fallen apart if either the live action or the vfx weren’t completely perfect. Nicely done! http://www.coroflot.com/public/individual_details.asp?individual_id=143693&sort_by=1& ochyming Awesome!