Friday Sundae’s Anil Glendinning talks painted memories, ska, singing power tools, and the creative choices behind Tribeca Games Award winner There Are No Ghosts at the Grand.
How does an art collective open permanent museums on three continents without turning into a company? We sat down with Sakurako “Saka” Naka of teamLab at OFFF Barcelona 2026 and got an answer about orchids, whirlpools, and a founder who only plans as far as tomorrow.
Tim Thompson wanted to be a movie star. He made it to Hollywood, then spent nearly twenty years helping creative people build businesses, find their footing, and give themselves permission to change.
Forty years in, Montreal’s Tonic DNA launches a refreshed identity, a new original holiday special, and a bet that AI can give hand-drawn animation a longer life. A conversation with partner and executive producer Stefanie Bitton.
Pixar alum Connie He turned a sleepless pandemic night into a six-minute short, then taught custom Veo and Imagen models to reproduce her own concept art. Jesse Rylander talks with her about pre-production, control, and what it took for animators and Google DeepMind researchers to speak the same language.
Free party tickets for Motionographer’s 20th at Mamacita went fast, but general admission is still open on Dice and at the door. Motion Plus Design New York takes the stage at Roulette from 1 pm, and a few seats remain. Then the whole room moves to Deluxx Fluxx, doors at 10.
Twenty years of championing Motion Design deserve a celebration. Motionographer marks its 20th anniversary with Motion Plus Design New York and “20 Seats for 20 Years,” celebrating the creative community at the heart of it all.
