Transistor Studios / James Price

 Transistor Studios has recently posted a new Coke spot directed by the multi-talented James Price, who has just launched his own personal web presence. The… Read more
Justin Cone • 18 years ago

Renascent: Lost

 Joost has just posted “Lost,” a type-based visual poem, in the Motion Graphics section of Renascent. “Lost” is a beautiful blend of music (masterfully composed… Read more
Justin Cone • 18 years ago

PES for Pivot

 I can’t seem to get away from stop-motion. The latest from Anonymous Content’s PES for Pivot is full of his characteristic charm—a subtle playfulness that… Read more
Justin Cone • 17 years ago

MAKE for Minneapolis AICP

 MAKE created this wildly ambitious and entertaining opening sequence for the Minneapolis AICP (Association of Independent Commercial Producers). The project debuted on September 6, 2007,… Read more
Justin Cone • 17 years ago

SHOWstudio for YSL

 Okay, this is going to be a hard sell. It’s not motion graphics. And it was originally intended to be viewed on a much larger… Read more
Justin Cone • 17 years ago

Psyop/MassMarket Dissect Absolut

 The PR-supplied Q&A with Psyop and sister company MassMarket sheds a little light on “Dissection,” their new advert for Absolut: What was the creative brief… Read more
Justin Cone • 16 years ago

Ghost Robot: “Bonnaroo Line-Up”

 Waaay back in July 2008, we posted a Quickie on Javan Ivey’s beautiful “My Paper Mind” video, produced using a self-devised method called “Stratastencil” (inspired… Read more
Boca Ceravolo • 16 years ago

Interview: Psyop for T. Rowe Price

 The following is an interview with Mate Steinforth and Gerald Ding and myself, Lauren Indovina regarding Psyop’s “Ink” and “Rice” spots for JWT and T.… Read more
Justin Cone • 16 years ago

Optix: Bontrust “Geldvermehrung” (NSFW)

 [qt:http://motionograph.wpengine.com/wp-content/uploads/2009/05/bontrusth264.mov 720 404] Making of “Geldvermehrung” (“Increase In Currency”) Andreas Pohl, Creative Director, Optix When the agency came to us with the idea to show… Read more
Justin Cone • 15 years ago

HunterGatherer’s Signature Series for Fuel

 [qt:https://motionograph.wpengine.com/wp-content/uploads/2009/10/HunterGatherer_960_30.mov 960 540] Q&A with Todd St. John, HunterGatherer: 1. The Fuel Signature Series is pretty wide-open, allowing artists a blank canvas to express themselves… Read more
Bran Dougherty-Johnson • 15 years ago

Alaska Nanooks 2010 Hockey Intro

 Mike Martinez’s Alaska Nanooks’ Intro of 07-08 was a truly over-the-top pastiche of lo-fi animation with hockey, explosions, a huge Polar Bear and 80s music.… Read more
Bran Dougherty-Johnson • 15 years ago

Superfad: Sony “Eye Candy”

 Superfad Seattle brings more than just eye candy to this surreal exploration of live action and vfx for Sony Bravia HDTV.  Unfolding in three parts,… Read more
Staff • 15 years ago

ILOVEDUST Launches

 News of  a Motion Design studio launch are always exciting, more so when the studio has already possessed a considerable repertoire and strong reputation in… Read more
Boca Ceravolo • 14 years ago

Maxim Zhestkov “RECURSION”

 Q&A with Maxim Zhestkov by Igor Sordokhonov, with help from Lilian Darmono, Bran Dougherty-Johnson, Lauren Indovina, Brian Gossett and Sofia Radnabazarova. In your words, who… Read more
Igor Sordokhonov • 14 years ago

GEL 2010 T&F Q&A

 The original styleframe board which T&F presented. What was the brief for this piece, and how did you approach coming up with the concept? The… Read more
Bran Dougherty-Johnson • 14 years ago

Prologue for Robin Hood

 Make sure to visit Prologue’s site to see more of this project and others they have worked on, very inspiring stuff. [qt:http://motionograph.wpengine.com/wp-content/uploads/2010/06/robinhood_et.mp4 640 272] I… Read more
Jon Saunders • 14 years ago