Matthias Hoegg: Thursday

Matthias Hoegg recently joined us to answer some questions about his short film, Thursday. It’s an everyday love story in the not so distant future,… Read more

Michelle Higa Fox • 14 years ago

Yowie and the Magpie by Dylan White

Been a long time coming, but this delightfully illustrative and darkly comic tale is now available to view in its entirety online, after having toured… Read more

Lilian Darmono • 13 years ago

that go and Brite Futures: “Too Young to Kill”

That go and Brite Futures’ “Too Young to Kill,” a music video sure to make you look more than twice. The number of scene/wardrobe/makeup changes… Read more

Ryan Rothermel • 13 years ago

Nathan Love for Sweet N’ Low

Sweet’N Low Cloud Rainbow from Nathan Love on Vimeo. Sweet’N Low Sun Moon from Nathan Love on Vimeo. Nathan Love never fails to deliver. In… Read more

Brandon Lori • 13 years ago

Prologue: X Men

Director Simon Clowes shared some valuable insight on the title sequence with Motionographer: The majority of these big budget movies have elaborate visual effects and… Read more

Daniel Coutinho • 13 years ago

Prologue: X-Men

The main sequence for X-Men: First Class, produced by Prologue, has a special retro/2D hand-made feel and serves as a strong example of how a… Read more

Daniel Coutinho • 13 years ago

Matt Christensen “Rolling”

Sometimes, you just need to smile. Hoping this whimsical film by Matt Christensen brings some joy to your hump day. Matt was kind enough to… Read more

Michelle Higa Fox • 10 years ago

CypherAudio’s John Black reflects on 15 years of sound design for motion

Filmmaker George Lucas famously declared, “The sound and music are 50% of the entertainment in a movie.” Everyone I know who’s crafted a film or animation or game… Read more

Justin Cone • 10 years ago

From motion design to game design: In-depth process behind Specimen

“I wanted to be a beginner again and feel like I was growing.”  Those words from designer/director Erica Gorochow encapsulate the primary motivation behind deciding… Read more

Justin Cone • 9 years ago

Making “The Wisdom of Pessimism”

For his directorial debut, Claudio Salas took on an ambitious challenge: a 2-minute visual essay for the philosopher Alain de Botton’s School of Life project.  What began as… Read more

Justin Cone • 9 years ago

Poland rising: Juice studio explains why we’ll be seeing more Polish talent soon

Poland is bristling with CG talent, and our interview with Juice studio explains why. We also dig into the technical details behind the promotional short,… Read more

Justin Cone • 9 years ago

“The World of Autism,” a richly detailed mixed media journey into the mind of Jacob

Guilherme Marcondes is back at it again, this time for BBDO New York and the Ad Council’s beautiful new campaign for Autism Speaks, the autism… Read more

Boca Ceravolo • 9 years ago

CG still lifes and art direction from Rafa Merino

When Rafa Merino posted "Reborn" on Facebook, I froze. Initially struck by its surreal beauty, I then wondered what I was looking at: A photograph?… Read more

Justin Cone • 9 years ago

How to make your skin crawl, the story of “Teeth” with Holbrooks

After a successful run in the festival circuit, including a premiere at the 2015 Sundance Film Festival and a Special Jury Recognition award from the… Read more

Justin Cone • 9 years ago

4 ways “Don’t Blink” is a masterclass of type and rhythm

"Don't Blink" is a breathless, high-stepping dance between word and image set to a percussion-heavy soundtrack befitting a trailer for a summer blockbuster. Here are… Read more

Justin Cone • 8 years ago

Jack Cunningham and the White House build an AR tour powered by a buck

Reach for your phone and wallet to learn more about “The People’s House.” Don’t worry, it won’t cost you a cent.

Erica Gorochow • 8 years ago

Understanding Patrick Clair

Ever wonder what makes Patrick Clair’s work so darn good? Nol Honig sits down with the Emmy Award-winning title designer to find out. Hint: it’s… Read more

Nol Honig • 7 years ago

Technical Breakdown: Seeing Without Sight

John Likens, from Method Studios, on pitching and creating the opening sequence for SEE Season Two. Recent winner of a Motion Award for best tv/streaming… Read more

John Likens • 3 years ago

AI for Good | “Life Is Plastic”

A baby consists of 75% water and 0.0001% plastic’.The awful fact that nanoplastics are already found in foetuses inside the womb.

Staff • 6 months ago

Mistborn

JM Blay's Magical Quest: Translating Mistborn from Page to Screen - Breaking Free from Constraints to Unleash Creativity

Staff • 6 months ago

Apple TV+ The Dark Matter Title Sequence: How We Created It Three Times

Dark Matter. Based on the novel of the same name by Blake Crouch, this sci-fi series promises to take viewers on a thrilling journey through… Read more

Staff • 4 months ago

Ed Harcourt Video with Tom Gauld

Fans of the comic anthology Kramer’s Ergot will instantly recognize the illustrations of Tom Gauld in the new Ed Harcourt video by Dirty UK. Tom… Read more

Justin Cone • 18 years ago

Only Say Yes When It’s Yes

As the President of The Ashy Agency and Chairman of the Board of Governors for the Broadcast Design Association (BDA), Brett Ashy has worked with… Read more

Justin Cone • 16 years ago

Prologue: The Game is Afoot

If you were one of the millions of people who caught Sherlock Holmes over the holidays, you probably found it to be a rollicking good… Read more

Justin Cone • 15 years ago