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February 10, 2012 This is the teaser for Colosse, A Wood Tale — Hornet‘s sweet new short soon to come, directed by Yves Geleyn. As usual, they’re sharing lots of behind the scenes goodies! Comments Designer and Creative Director, Izik Roitman, packs a wallop with a solid portfolio at Roitman.tv. Comments Toronto based illustrator, W. Scott Forbes turns his gorgeous illustrations into a cinematic and carefully composed tale of adultery in the Hollywood Hills. Comments February 9, 2012 Stimulant has created LoopLoop, a visual musical sequencer that runs on the Sifteo cubes. LoopLoop uses an animated visual language as well as touch, motion, and placement of the cubes to create music. Very cool. Comments February 8, 2012 Istanbul creative agency Antilop created this audio-visual and interactive installation for Coca-Cola’s 125th Anniversary Exhibition’s Future Room concept for Turkish modern-art museum santralistanbul. Comments Check out these five short, sweet and video-artsy pieces by Canadian motion designer Nicolas Ménard: Futile Devices. Comments TONIGHT 7pm See No Evil presents an evening with BAFTA nominated David Prosser & Kristian Andrews from StudioAKA. Free entry, prizes, and music provided by Hear No Evil. Comments February 7, 2012 Bold patterned designs on Gretel’s classy visual package for Vh1 Critics’ Choice Movie Awards 2012. Comments February 6, 2012 Cause & Effect: Phenomenal Handclap Band “The Right One” Comments John Whitney: Permutations Produced in 1966. Written in GRAF and FORTRAN, and recorded in black and white from the monitor of an IBM 360 mainframe. Color was added afterwards using an optical printer. Comments Curtis Baigent updates. Comments February 5, 2012 Trailer for Joseph Pierce’s new short The Pub is online. More stills and some photos from the shoot on his Flickr. Comments February 4, 2012 Shilo revamps their website with some new work and their own Instagram feed. Comments February 3, 2012 London-based production studio Nearly Normal construct a brooding and introspective short film using papercraft models in The Wolf I Used To Be. Comments Audiovisual design studio No-Domain put together this refreshing video piece titled Lullaby Crocodile. Comments For the exhibition at the Royal Castle in Warsaw, Poland, Novinastudio created this animation to tell the story of the famed castle: The Royal Castle – from Destruction to Reconstruction. Comments February 2, 2012 Arno Salters & Stink Digital for Wrangler Comments Herb Lubalin demystifies the process and opens up about the creation of his famed PBS logo. Comments Straight from the AT&T vault, Saul Bass’s 26 Minute pitch video to AT&T, introducing the new look: the largest corporate identity design in American history, at the time. Comments Director Vinicius Costa updates his website with a range of surreal and whimsical works. Comments February 1, 2012 New shop on the block, Sebas and Clim, pop onto the scene with Tiny Story: a spiffy little motion piece to celebrate the launch of their official website. Comments Animator Alasdair Willson hits a grand slam with a fresh, new website packed with big-name projects. Comments Looking forward to the full short, Murder. Comments Watch a five-year-old identify an array of corporate logos and offer insight into their brand in Fresh Impressions on Brandmarks (from my 5-year-old). Comments Filmmaker Danny Cooke has documented the dying art of letterpress in a short film titled Upside Down, Left to Right: A Letterpress Film. Comments



Impactist: Birthday Posted by Justin Cone Impactist never fails to surprise me. Their latest project is a poetically disturbing mash up of two occasions that seem diametrically opposed: Injured veterans from the conflicts in Afghanistan and Iraq have two days with which to recognize and celebrate their lives. Like all of us, they have a birthday, but special and unique to them, they also have an “alive” day which commemorates the day they were injured and had their lives nearly extinguished in the theater of war. Observing these two important days, we combined, shifted, and restructured them conceptually. Without being overly graphic or unduly exploitive, the use of the simple head bandage and claustrophobic setup hint towards a more internal injury like those emotional injuries that are not as easy to recognize and diagnose as physical trauma. I couldn’t have said it better myself. Like much of Impactist’s work, this one lingers for a while after the last frame has been played. This project was created as an ident for shots DVD magazine. All visuals and audio were created by Kelly Meador & Daniel Elwing. Posted on 5 June 2008 \| http://www.antichamber.com Aaron Mustamaa Very Chris Cunningham tripping on a hit of Aphex Twin. The wheelchair and panicky, glitchy psychosis leads me to believe it was inspired by (or at least homaging), Cunningham’s vid, . http://www.antichamber.com Aaron Mustamaa …Cunningham’s Vid, Rubber Johnny. http://youtube.com/watch?v=l48HTZUHfeQ http://www.masmenos.org gus gavino you can never go wrong with Impactist. I’ve been a fan since seeing them on your cremeO’the crop list. great new piece! Steelo That’s cool. I often wonder though with something that important to be said are we losing people in the execution instead of the message? I suppose that’s art though. Simon I just saw this without reading the introduction. I didn’t get what it was. Great visual stuff, but the message did not get through to me, but I liked it, I read, so it did it’s job anyway :)