The Art of Blending Mediums and Identity: Interview with Carmela Caldart
Creative Struggles and New Beginnings As an artist, I understand that there are times when it’s hard to find inspiration. Personally, I struggle with that.…
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Natalia Gonzalez • 5 days ago
25 (+1) for 2025: The Motionographer’s Crystal Ball Motion Design Predictions – Part 2
“Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into…
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Fermín Cimadevilla • 1 week ago
25 (+1) for 2025: Motionographer’s Crystal Ball 2025 Motion Design Predictions – Part 1
"Ah yes, it's that magical time of year when we dust off our Motionographer®'s semi-reliable crystal ball (now with added AI-powered glitter) and peer into…
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Fermín Cimadevilla • 1 month ago
UNSUNG HEROES: Lost Machine
"The art that I like to look at and hang on my studio walls is the album art by a US easy listening label from…
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Fermín Cimadevilla • 1 month ago
Scarlet Deer Inn: A Medieval Tale Embroidered by Its Creators
“We tried a lot of methods, like embroidering the entire scene, not using outlines, using embroidered outlines, many canvas and thread types and sizes, and…
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Jesse Rylander • 1 month ago
Spotlight on AIdeal™ – Infinite Dreams *World Premiere*
It is with great excitement that we present the world premiere of 'Infinite Dreams', a stunning short film crafted by Amsterdam-based studio AIdeal™. This marks…
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Fermín Cimadevilla • 2 months ago
‘Werewolf by Night’ Breakdown | The Assembly of Hand-Cut Paper for a Modern Horror Classic
"Everything was handmade, from the character drawings to the assembly of hand-cut paper pieces. The goal was clear: to use the same techniques that filmmakers…
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Staff • 2 months ago
Interview with Alan Turing: The AI Gay Father
"Yet, whether that truly qualifies as “feeling” is another matter. Feelings, as I see them, are more than responses—they’re deeply entwined with experience, memory, and…
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Fermín Cimadevilla • 2 months ago
Crafting POOF: How AI Tools Shaped a Unique Visual and Narrative Style
"At the time, I was in a job that didn’t feel very fulfilling, so I channeled that feeling of being a bit lost and unmotivated.…
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Staff • 2 months ago
UNSUNG HEROES: Skillbard
UNSUNG HEROES is Motionographer®’s new section created to highlight the work of worldwide audio studios. Our goal is to celebrate and uplift these unsung champions,…
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Staff • 2 months ago
*Exclusive* Breakdown With Chris Boyle: ‘The Monster in the Mirror is Absolutely Us.’
"Fundamentally, generative AI is a reflection of us. It's trained on our data and built to replicate us. Almost all the issues we might perceive…
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Staff • 2 months ago
Interview with Steve Cutts: Satirical Art, Social Criticism and the Power of Change
Steve Cutts is an illustrator and animator known for his biting social commentary through dark and satirical art. His work often critiques modern consumerism, environmental…
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Carlos El Asmar • 2 months ago
Motionographer expands the Unexpected!
We’re absolutely thrilled to introduce our new initiative .A.inspiration.
Staff • 3 months ago
Interview with Hasmik Mkhchyan: A journey through time and technology
Hasmik’s journey from traditional art to AI-driven motion design blends the old with the new. Trained in hand-drawn techniques at the Armenian Academy of Fine…
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Natalia Gonzalez • 3 months ago
A Reunion with America’s Racial History
In an era where storytelling transcends traditional boundaries, Reunion Studio merges artistry and A.i. technology to shed light on America's profound legacy of racial injustice.…
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Carlos El Asmar • 3 months ago
AI for Good | “Life Is Plastic”
A baby consists of 75% water and 0.0001% plastic’.The awful fact that nanoplastics are already found in foetuses inside the womb.
Staff • 10 months ago
Studio Stories: 23 years of Brand New School
The origin stories of Motion Design studios, as told by their founders.
Staff • 1 year ago
The Motion Awards 2023
It’s that time again to honor the shining lights of our craft and share your incredible work with the community.
Staff • 2 years ago
From Motionographer Writer to Creative Lead at Perception?
Greg Herman contributed to over 140 posts during his ten years of writing for Motionographer. Since then, he's worked with a who's who of clients,…
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Stuart Groves • 2 years ago
Don’t Skip It: Designing a Title Sequence in the Age of AI
Chris Sharpe, Creative Director at Territory Studio, argues that the introduction and growth of AI has made the issue of historical data and title design…
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Chris Sharpe • 2 years ago
A Trip to Infinity | The Making of a Netflix Documentary
Directors Jonathan Halperin and Drew Takahashi share their stories and how Motion Design played a pivotal role in a larger-than-life documentary.
Stuart Groves • 2 years ago
The Art of Pulling References
Elliott Chaffer, Executive Creative Director at Trollbäck+Company, gives his thoughts on the power of great ref. He shares his personal process and tips and tricks…
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Elliott Chaffer • 2 years ago
Too close for comfort: The challenge of hyperrealism in character design
Hyperrealism versus stylized digital humans: from artistic nostalgia to emotional connections. By Anton Söderhäl, Executive Producer, Goodbye Kansas Studios.
Anton Söderhäll • 2 years ago
Ask Me Anything with Carlos El Asmar
In our new segment, Motionographer Co-founder Carlos El Asmar, answers any question the community asks!
Staff • 3 years ago
