Twenty120 Interview

 Twenty120 is around the corner and we have a few announcements that we would like to share. Firstly, as a reminder, this Thursday night at… Read more
Jon Saunders • 15 years ago

Phillip Bloom: Skywalker Ranch

 We don’t usually feature straight cinematography work on Motionographer. However, what Director/DP Phillip Bloom was able to capture on Canon 5D and 7D DSLR’s during… Read more
Staff • 15 years ago

Max Hattler’s 1923 & 1925: Q&A

 Questions: How were you introduced to the Animation Workshop, and how did this collaboration come about? Norwegian animation theorist Joakim Pedersen – who I used… Read more
Bran Dougherty-Johnson • 15 years ago

Kitteh Kitteh!!

 UPDATE: 2 more items are added to the Q&A section, the result of a few readers’ additional query which I followed up with Sam. Sorry… Read more
Lilian Darmono • 15 years ago

I Am Not An Artist

 Johnny Kelly and Matthew Cooper have just made a series of 56 hilarious and poignant animated GIFS called I Am Not An Artist for Elisava,… Read more
Bran Dougherty-Johnson • 15 years ago

Tim & Eric for old Spice

 Old Spice and Wieden+Kennedy continue to display their willingness to push comedy in advertising with this new set of Old Spice ads. This time utilizing… Read more
Jon Saunders • 15 years ago

RESONANCE

 Stop. Put on your headphones. Go fullscreen, and sit still as Resonance blasts your earballs to pieces. After debuting at OFFF Barcelona, Resonance is now… Read more
Justin Cone • 13 years ago

I, Pet Goat II

 The Canadian studio Heliofant has crafted the breathtaking piece “I, Pet Goat II” which features some spectacular visuals through use of amazing lighting and shading. … Read more
Andres Weber • 12 years ago

Moniker: Do Not Touch

 Amsterdam-based Moniker (Roel Wouters, Luna Maurer, Jonathan Puckey) have created a Do Not Touch – a crowd-sourced music video for Light Light’s Kilo. “After 50… Read more
Michelle Higa Fox • 12 years ago

Miwa Matreyek

 Animator/performance artist Miwa Matryek incorporates the silhouette of her own body into projections of her lush animations. Having seen her perform at last year’s Vimeo… Read more
Michelle Higa Fox • 11 years ago

Q&A: Dark Noir

 Maybe there's an approach to crowdsourcing that isn't creatively repulsive or ethically bankrupt. Here's how Red Knuckles, Rafael Grampá and Absolut worked with a few… Read more
Justin Cone • 11 years ago

Q&A: Throne “Tharsis Sleeps”

 What says "heavy metal" more than a few thousand frames of animated embroidery? Here's how it was done.
Andrew Montague • 10 years ago