Meindbender and Techno Image: UFCECÊ – for Gillette
The powerhouse duo of Meindbender and Techno Image have come together to create this masterpiece. It pairs director Pedro Conti’s style, voice, and flow with…
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Andres Weber • 11 years ago
Playgrounds 2012
This is only the second time that the annual Playgrounds Digital Arts Festival in The Netherlands teams up with Submarine Channel to host a “warming…
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Harm van Zon • 12 years ago
SXSW 2012: Beauty is Embarrassing
Disclaimer: Wayne White was a speaker at the 2011 F5 festival. His talk there makes an appearance at the end of this film. We covered…
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Michelle Higa Fox • 12 years ago
Mr. Magorium’s Wonder Emporium (Updated)
In the title sequence for Mr. Magorium’s Wonder Emporium, retro illustrations, cutout found elements, bold fields of color and about a dozen different typefaces all…
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Justin Cone • 17 years ago
Leroy and Clarkson for Bio
I’ve noticed that, by and large, motion graphics students don’t “get” network packaging. Yeah, they love flashy promos all blinged out to catch viewers’ eyeballs…
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Justin Cone • 17 years ago
HAPPY F5 – RE:PLAY FILMS 01
We’re very pleased to get this first batch of Happy F5 – RE:PLAY films online. We’ll be sharing three films at a time, one batch…
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Brandon Lori • 13 years ago
Superfad: Sony “Eye Candy”
Behind the Scenes Design Exploration Interview with Superfad’s Carlos Stevens What was the creative approach to this project? The creative approach defined by Sony and…
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Justin Cone • 15 years ago
AICE Announces Membership Expansion to Include Design, Motion Graphics and Visual Effect Companies and Artists
AICE, the Association of Independent Creative Editors has updated its membership eligibility requirements to now include Design, Motion Graphic and Visual Effects Companies. See here…
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Bran Dougherty-Johnson • 15 years ago
Edouard Salier: Massive Attack “Splitting the Atom”
The fixed moment of the catastrophe. The instant the atom bursts on the beast, the world freezes into a vitrified chaos. And we go through…
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Harm van Zon • 15 years ago
Interview: Garson Yu of yU+co
“300” main-on-end titles Storyboards for “300” main-on-end titles Animatic for “300” sequence “Bee Movie” end credit sequence Storyboards for “Bee Movie” end credit sequence “Enchanted”…
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Justin Cone • 16 years ago
The Animated Life & Work of Jeff Scher
Jeff Scher: I Got My Job Through the NY Times. Short Documentary by Reid Rosefelt. Jeffery Noyes Scher was born in 1954 and graduated from…
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Mark Webster • 15 years ago
Coca Cola “Avatar”
[qt:http://motionograph.wpengine.com/wp-content/uploads/2009/02/coke_avatar.mov 779 438] [Full post] Credits Coca Cola “Avatar” Duration: 1 x 60″, 1×30″ Air Date: 1 February 2009 CLIENT: Coca Cola Client contact: Pio…
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Justin Cone • 16 years ago
Mixtape Club for My Morning Jacket
Mixtape Club has been happily toiling away in their new home at Hornet. Last month, they released some character-based motion and print work for Nike/Foot…
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Justin Cone • 16 years ago