STUDIOaka: VARMINTS Trailer & New Site
[…] continued unabated. Previsualisation started early 2007. By the summer principle animation was well underway, using animators in Germany and France as well as any…
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Matt Lambert • 16 years ago
Psyop and Fortissimo go their separate ways
The much talked about reverse merger between Psyop and Israel-based Fortissimo Acquisition Corp. has been shot down by the latter’s shareholders. The tumultuous economy was…
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Justin Cone • 16 years ago
Exopolis: Xbox “Experience Welcoming Animation”
[…] on brand with some of the colors and stuff… So, yeah, it was akin to the experience a 7 year old would have if…
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Brian Gossett • 16 years ago
The Hyde Tube
[…] is nothing new. The twist comes here: Clients will contact The Hyde Tube in order to pass on a project to a specific director,…
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Justin Cone • 16 years ago
Digital Domain Campaigns for Lexus
[…] has its own share of visually rich shots and easily convinces you that a whole city of cars and buildings were literally hoisted up…
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Jake Sargeant • 16 years ago
Felix & Paul: Nuclear Forum of Belgium
[…] cut is a courageous act in contemporary motion design. Along the same lines, the two alternate angles of each hand near the completion of…
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Justin Cone • 16 years ago
Some LEDs and the Duality of In-Camera Effects
[…] the accompanying making-of video. Unlike the purely viral-format of the Samsung spot, W+K extracted their viral from the TVC shoot. Not only do they…
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Matt Lambert • 16 years ago
May/June Events Roundup
[…] title designers: Jamie Caliri of Duck, Danny Yount of Prologue, Karin Fong of Imaginary Forces, Garson Yu of yU+co, and Kyle Cooper of Prologue.…
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Justin Cone • 15 years ago
Interview with 9.99’s Tatia Rosenthal Plus Special Screening
[…] men extra smooth, a broken hearted man who befriends a group of hard partying two inch tall students, and a little boy who sets…
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Matt Lambert • 15 years ago
Motion Graphics meeting at SIGGRAPH 2009, Tuesday, August 4th
[…] Effects, talking about the latest versions of RE:Vision Effects for motion graphics Rick Barrett, MAXON, showing the integration between Cinema 4D and After Effects…
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Justin Cone • 15 years ago
When Graphic Plays Beyond Narrative
[…] there were considerable possibilities for play and of course subversion of these strongly emblematic symbols. The beauty of any personal project like this is…
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Mark Webster • 15 years ago
By and By Q&A
[…] there was a loose sense of a story arch throughout the process, a passage of time and a constant sense of travel. It was…
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Bran Dougherty-Johnson • 15 years ago
Edouard Salier: Massive Attack “Splitting the Atom”
The fixed moment of the catastrophe. The instant the atom bursts on the beast, the world freezes into a vitrified chaos. And we go through…
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Harm van Zon • 15 years ago
Director Profile: Frankie de Leonardis
[…] different stuff and boolab is the kind of place that encourages you to do whatever you feel like. The BBVA ads feel like miniature…
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Justin Cone • 14 years ago
Bare Bones US Debut
[…] raw celebration of doing things for love and fun — a timely reminder how in times of hardship, art and creativity can and always…
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Justin Cone • 14 years ago
Coalition Of The Willing Launch
[…] Berlin and Parasol Island. We have 20 tickets to give away to the London launch. tickets will be allocated on a first-come first-served basis.…
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Mate Steinforth • 14 years ago
Scott Squires: VFX Artists Don’t Need To Be Taken Advantage Of
[…] agreement regarding your pay rate and hours. You don’t want to find out that what you thought you were hired for and what the…
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Bran Dougherty-Johnson • 14 years ago
Happy F5!
[…] that occur when we smash into something unexpected. PARTY: HELLS YES Yes, there is a bar at the venue. Yes, we will be giving…
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Justin Cone • 14 years ago
New York in Motion Premiere
[…] this development the subject of his new documentary, “New York in Motion,” premiering the evening before F5: Thursday, April 14th at 7pm in the…
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Staff • 14 years ago
SIGGRAPH 2011: Technical Papers Fast Forward
[…] have descended on the conference. Check out our first dispatch on the Technical Papers Fast Forward event here. More Motionographer SIGGRAPH posts to come,…
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Michelle Higa Fox • 13 years ago
Michel Gagné: Insanely Twisted Shadow Planet
[…] Gagné’s beautiful FX animations translate to a gaming environment since the initial trailer came out in 2007. Gagné’s previous work includes the Ratatouille taste…
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Michelle Higa Fox • 13 years ago
Black Swan meets Sesame Street
[…] that would be fine, except Don’t Hug Me I’m Scared doesn’t make such an obvious point. Instead, in its final moments, it moves into…
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Brandon Walter Irvine • 13 years ago
Scott Benson: Rendezvous “The Murf” Interview
[…] spite of his busy schedule, Scott was kind enough to share some stills, storyboards and insight from creating “The Murf.” The FlickR sets are…
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Michelle Higa Fox • 13 years ago
Work/Life: From the Comments
[…] the entertainment industry do. We also have very little central communication within our industry aside from this blog. I recently moved away from over…
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Justin Cone • 13 years ago