This Motion Design film reimagines Bauhaus rigor through a pixelated, gradient-drenched lens. Each frame thrums with structured chaos—geometric forms (arrows slicing, circles orbiting) locked into a horizontal rhythm, softened by degradés that melt electric blue into sunset orange.It’s retro-futurism with intent: rigid grids taming wild waveforms, pixel fonts (Cofo Sans) winking at 8-bit nostalgia beside Satoshi’s crisp neutrality. The palette—complementary yet fluid—avoids clash, using gradients to imply motion where there’s stillness.“FORM = FUNCTION” isn’t just a mantra here. The grid acts as both cage and catalyst, letting isometric depth and flat UI-inspired planes coexist.Neo-Bauhaus is Bauhaus logic rebooted for the algorithmic age, where discipline fuels play, and gradients are the new grids. Minimal, yes, but vibrantly alive.
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This Motion Design film reimagines Bauhaus rigor through a pixelated, gradient-drenched lens. Each frame thrums with structured chaos—geometric forms (arrows slicing, circles orbiting) locked into a horizontal rhythm, softened by degradés that melt electric blue into sunset orange.
It’s retro-futurism with intent: rigid grids taming wild waveforms, pixel fonts (Cofo Sans) winking at 8-bit nostalgia beside Satoshi’s crisp neutrality. The palette—complementary yet fluid—avoids clash, using gradients to imply motion where there’s stillness.
“FORM = FUNCTION” isn’t just a mantra here. The grid acts as both cage and catalyst, letting isometric depth and flat UI-inspired planes coexist.
Neo-Bauhaus is Bauhaus logic rebooted for the algorithmic age, where discipline fuels play, and gradients are the new grids. Minimal, yes, but vibrantly alive.
Design & Motion Design: Sam Miles
Sound Design: H1 Sound