Want to be on Motionographer? Submit your work now!

Get a daily digest of Motionographer's posts in your inbox. Subscribe now.

Moustache: Studio 37

Paris-based Moustache created this ethereal voyage through a glowing world for Studio 37, Orange’s feature film production company.

Credits on the Moustache project page.

Posted on 10 October 2008 by justin
1 Star2 Stars3 Stars4 Stars5 Stars (26 votes: 4.58 out of 5)

Cheeky PSA’s for AIDES


TBWA and London based studio, Minivegas bring you these two amazing psa’s for aids awareness. These are the types of projects that I dreamed of working on when I entered this field. Seemingly no restrictions and the ability to create an entire world based on joke after joke is a rare opportunity. Minivegas in no way disappoints; the character creations are very well done as well as their execution, and yes I am referring to penis fish and breast planets when saying this.

And from looking at the production art they were kind enough to send to us, this production involved alot of research and development. It almost looks like a Disney production….’cept with balls and tits.

Bravo.

Girl
Boy

Music by Future Perfect

Credits

Posted on 9 October 2008 by jsaunders
1 Star2 Stars3 Stars4 Stars5 Stars (33 votes: 3.42 out of 5)

Grzegorz Jonkajtys: Ark

Way back in June of 2006, we posted a Quickie about Grzegorz Jonkajtys’ short film, Ark. He recently sent word that the film’s site has been revamped (and that it won Best of Show at SIGGRAPH 2007).

Ark is a breath-takingly gorgeous bit of filmmaking. From the epic mattes to the subsurface scattering in the flesh textures, it’s the kind of project you want to crawl inside and spend all week exploring. Jonkajtys crafted a fully realized world, lush with detail—which only makes the twist at the film’s conclusion that much more pointed.

Don’t miss the fxguide article on how miniatures, a motion control camera and CG was used in the film.

Posted on 9 October 2008 by justin
1 Star2 Stars3 Stars4 Stars5 Stars (15 votes: 4.4 out of 5)

Nervo: “Paper Airplane”

Paper Airplane is a collaboration between Nervo and agency start-up muh-tay-zik for communications technology company, Premiere Global Services. The animation does a wonderful job of keeping the whimsical spirit of Betsy Walton’s illustrations. Great sound too.

A little more on how this was made, from Nando Costa:

Betsy gave us most of the assets as finished paintings with very few separate layers. Our goal was to animate the elements in such a way that they still felt hand drawn. We were trying to stay away from any stereotypical processes for simulating the illustrated feel, such as using sequences of hand-drawn lines.

The animation was done mostly in After Effects. About 90% of all elements were animated with expressions so we could get the same type of cycle on the plants / trees / water / clouds and etc, even-though there were various animators working simultaneously. We also got some really great effects very quickly without much effort.

The only 3D elements are the paper airplanes and the characters, which were built in XSI. After rendered, the elements went through some multi-layering compositing process in AE to get the same kind of rough look that the original illustrations had.

Check out some illustrations, pre-animation here and here.
Check out some stills from XSI here and here.

You can see more of Betsy’s work on her flickR and her website.

Credits

Posted on 9 October 2008 by higa
1 Star2 Stars3 Stars4 Stars5 Stars (28 votes: 4.07 out of 5)

DVEIN for NatGeo

Barcelona-based DVEIN just dropped a set of four IDs for National Geographic Channel that show how extraordinary ordinary objects can be when they’re examined from the right perspective.

[UPDATE] Due to a misunderstanding on my part, I mistakenly credited DVEIN for another project originally listed in this post. It will appear separately. My apologies.

Posted on 8 October 2008 by justin
1 Star2 Stars3 Stars4 Stars5 Stars (14 votes: 3.57 out of 5)

PauseNYC: November 10-11

PauseNYC (presented by FITC) has put together a solid lineup of speakers for its inaugural event this November 10th and 11th at the BMCC Tribeca Performing Arts Center. The early bird registration price of $149 ($89 for students) ends on Friday, so hurry and get yours while you can!

Posted on 8 October 2008 by justin
1 Star2 Stars3 Stars4 Stars5 Stars (12 votes: 3.33 out of 5)

Not To Scale/Natl for Amex “Clay”

For this new American Express advert, Not To Scale’s National Television created a believable claymation look entirely in CG. According to the release: “Shooting the elements for real would have left the Agency and Client little room for ongoing changes and edit decisions, so bringing the script to life in Maya was quickly agreed as the best possible option for all eventualities.”

Makes sense to me. I’m sure this approach has been used many times before without me even knowing it. The first time I remember bumping into it was in Coke “Cloud” from Psyop back in 2006.

Hear No Evil’s music and sound design for “Clay” are worth noting. I love the accordion fill during the lobster sequence, and the way the tympani-based percussion gives way to a funky trap set by the spot’s end. It really helps give the whole spot forward movement.

Credits can be found on National’s project page. The spot can also be viewed on Not To Scale’s site under Latest.

Posted on 7 October 2008 by justin
1 Star2 Stars3 Stars4 Stars5 Stars (36 votes: 4.42 out of 5)