Pandapanther strikes with a fresh reel and colorfully cool new projects.
Pandapanther strikes with a fresh reel and colorfully cool new projects.
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November 6, 2009
November 5, 2009
The crew at Corgan Media Lab create a wilderness of type and triangulated polygons in the AICP Southwest Sponsor Reel. November 4, 2009
Pantural crushes out this awesome reel showcasing his 3D car skills, storytelling abilities and sense of humor.
November 3, 2009
November 2, 2009
October 31, 2009 Nuru International puts a typographic spin on erasing extreme poverty in this visual essay, How Nuru Works. In a hauntingly beautiful short film, Jean-Julien Pous submits this number to the Louis Vuitton’s Journeys Awards. October 30, 2009 In My Turn, director Tomek Ducki summons a hoard of dancing bears in this new music video from Basement Jaxx, featuring vocals from Dev ‘Lightspeed Champion’ Hynes. October 29, 2009 With essay and explanation by Justin Hilden, take an insightful look into color design for the animated classic, It’s The Great Pumpkin, Charlie Brown. October 28, 2009
Another Gobelins masterpiece: The Lighthouse Keeper (and be sure to check out the creators’ blogs for insight into their process) |
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Pandapanther strikes with a fresh reel and colorfully cool new projects.

Elastic/A52 presents the opening titles for the 10th Annual Newport Beach Film Festival. If not for its wonderful design and execution alone, this referential journey should have a special place for those of you who grew up geeking out on animated logo sequences, even before the titles.
As an homage, Elastic cleverly deconstructs some of the most classic, animated studio preludes and flips them on their heads. This thing is firing on ALL cylinders.
As a follow up to their previous spot for Israeli telecom company Pelephone, Gravity teamed up with director Eli Sverdlov on another spot full of charm and cheer for agency Adler Chomski & Warshavsky/Grey Israel.
Like “Other World,” “Canons” is reminiscent of director Rupert Sanders‘ penchant for magical realism, but with a decidedly campy twist. The saturated visuals and grin-worthy denouement suggest an alternate reality of storybook proportions, the kind of place that could just as easily fit in a snow globe as it could in your imagination.
I like that level of approachability for something so surreal. It’s a difficult thing to master in 60 seconds of airtime.
Serial Cut has a slick new update: gorgeous typography and great work.
Frenetic pacing and playful details make for a fun ride in Royale’s McDonald’s spot