Blacklist Represents for FUSE


Blacklist just dropped this solid and slightly odd batch of promos for FUSE‘s “Music Is” campaign from Brooklyn Brothers. Each piece was undertaken by a different member of Blacklist‘s powerhouse directing roster.

These engaging, whimsical tales remind us of the power music has and the wonderful places it can take you. They are a testament to the impact you can make when you’ve got relatively simple visuals combined with a great script/idea and the perfect music.

Check ’em out:

Soul Mates by FriendsWithYou
Therapy by Cisma
Balloon by Pistachios
Time Travel by Nanospore
Adrenaline by David Lobser
Joy by Holbrooks


Agency: Brooklyn Brothers
Production Company: Blacklist

Adrenaline:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: David Lobser
Animation Studio: Little Sister
Little Sister Producers: Melissa August, Niabi Caldwell
Little Sister Production Assistant: Zach Lewis
Modeling: David Avetisov
Rigging: Ohad Bracha, David Avetisov
Compositing: Chih Peng
Toolkit: Nuke, After Effects, Maya, Photoshop, Final Cut Pro
Music Company: Amber Music
Composer: Blue May
Producer: Patrick Oliver
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Joy:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: Holbrooks
Creative Directors: Tom Brown, Daniel Gray
Animators: Tom Brown, Daniel Gray, Dan Cresswell, Sophie Angela Davis
Models: Luke Rudland, Iain Gillespie
Compositing: tom Brown, Daniel Gray
Toolkit: Photoshop, Aftereffects
Music: “Lovely Allen” by Holy Fuck
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Time Travel:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: Nanospore
Creative Directors: Ben Lee, Paul Hwang
Cell Animators: Juliana Park, Omar Ruiz
Assistant Animator: Dave Creek
After Effects: Aaron Bjork
Compositor: Matthew Encina
Toolkit: C4D, After Effects, Illustrator, Photoshop, Flash
Music: Composed and Performed by Rahzel
Produced by Leo Sidran and Eugene Cho (Amber Music)
Executive Producer: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Soulmates:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: FriendswithYou (Samuel Borkson and Arturo Sandoval III)
Co-Director/Props/Art/Editor: Orilo Blandini
FriendsWithYou Producer: Dan Ruth
Online: Julian Manzelli
Toolkit: Final Cut Pro, After Effects
Music: “Question” by The Old 97’s
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Therapy:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: Cisma
Executive Producer in Brazil: Paulo Schmidt
Production Coordinator: Thais Freire
Storyboard artist: Renato Blaschi
Animatic: Alfredo Hisa
Assistant director: Carolina Campanelli
On set art director: Ana Paola ottoni
Dir. Photography: Ching C. Wang
Production director: Juliana Borges
Wardrobe: Silvinho Monteiro
Make-up: Gislaine
Casting: Flavia Cocozza
Special Effects: Martao
Pos-production producer in Brazil: Cristiano Meira
3D Artists: Gustavo Braga, Felipe Sabino, Mauricio Lobel, Edivaldo Souza, Thiago Rodrigues Batista, Elvio Cavalcante
Rotoscopy: Marcio Martins, Rogerio Merlino, Edson Costa
Flame Artists: Parana, Diogo Castro, Fabio Cristiano de Oliveira, Henrike Delgado, Ricardo Costa
Toolkit: Autodesk Maya, Flame, Smoke, After effects, Avid , Final Cut Pro
Music: “Don’t See the Sorrow” Au Revoir Simone
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Audio Engine
Engineer: Carl Mandelbaum
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Balloon:
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: Pistachios
Creative Director: Måns Swanberg
Animation: Måns Swanberg
Illustration: Tomas Nilsson
Toolkit: Adobe Photoshop, Adobe After Effects.
Music: “Eyes” Rogue Wave
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

About the author

Matt Lambert

/ www.dielamb.com
NYC / London

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12 Comments

zeniamai

I love both Joy and Therapy… I like the quality, the style and the concept… Great job guys!

Simon Robson

I love cisma’s therapy and would love to know how it was made…Any chance of a behind the scenes for this piece?

shrt

I like therapy the most and just like Simon Robson would love to see a behind the scenes. :)

rich rama

I’ll try to get Cisma up on here to share a little insight on how he put the spot together. He and his wonderful, hard-working crew in Brazil did an amazing job and we’ll try to get them share their experience with all of you.

Simon Robson

That would be great. I’d just love to know where the line is between Live-action and CG. It’s truly amazing, and an approach that i love because it’s so different to anything I’d ever do…

jon saunders

Rama, I’de love to get some insight on how you are dealing with that debacle of a game 6 your Lakers put up against my C’s.

Victor

Soulmates and Therapy.

Breton

“Therapy” you have to love it !
but i really like the simplicity in “balloon” as well.

P.S. Behind the scenes!!! Plox

boca

The “Therapy” credits list is insane! No wonder it’s so nice!

Comments are closed.