This year’s rendition builds on audio sampled from previous SIFF films to create a disjointed steam-of-consciousness narrative. The visuals are lush, jewel-toned dreams rendered by hand in acetate, paper cut out and ferns(!). I only wish I could see this on the big screen.
2009 is really shaping up to be the year of analogue. Digital post-production finishing adds layers of needed polish, but analoge animation techniques are really experiencing a renaissance. Fun times!
Like their recent project for the Webbys, DK's work for the Seattle International Film Festival is varied in style and tone. Each of the four videos they've put online builds on a simple concept bolstered by just the right level of panache. The trailer cleverly inserts the "New" icon into…
Our previous post about Digital Kitchen's work for the Seattle International Film Festival tickled my curiosity: How exactly were the animation rigs set up? How did they maintain control over the acetate layers? So I asked DK if they'd be willing to share some making-of morsels, and they came through…
Seattle based studio Oh, Hello bring their signature style of cel animation to the Seattle International Film Fest. Like their previous work for the Pacific Science Center, their brand of animation is a much more lively take on how a film festival can bring an exciting and playful approach to…
