Motion Graphics meeting at SIGGRAPH 2009, Tuesday, August 4th
[…] Effects, talking about the latest versions of RE:Vision Effects for motion graphics Rick Barrett, MAXON, showing the integration between Cinema 4D and After Effects…
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Justin Cone • 15 years ago
Psyop: In-Depth with Tony Barbieri
[…] different beast in itself. The challenges differed in each spot more in the storytelling than anything else. How to fit a story in 30…
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Brandon Lori • 15 years ago
Halogen: Branding a Network from the Ground Up
[…] dramatic show of connectivity. It maintains the illusion of a 3D box but never fully forms. Folding sides flip to reveal new triangular shapes…
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Dominique Elliott • 15 years ago
Offline by Matthew Santoro
[…] finished piece? Is there any release date that we can all mark down? I look at this spec trailer like a finished piece in…
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Jon Saunders • 15 years ago
Amautalab and Flamboyant Paradise: MTV Nitro Circus
[…] Production Companies: Amautalab y Flamboyant Paradise Stop Motion Animation: Pablo Turcatti Art Direction: Gabo Gesualdi (Amautalab) Director of Photography: Juan Maglione Executive Producers: Guido…
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Lilian Darmono • 15 years ago
Ben & Julia: Dove Nets
[…] try to create ‘Universes’ not ‘animation films’. This is our way to change the world we live in, into a better place…at least for…
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Lilian Darmono • 15 years ago
Meindbender Duplicates for Cartoon Network
[…] Greta. Cartoon Network bought this as a Christmas ID short film, and it ended up winning awards in Promax/DBA Europe and world awards. Cartoon…
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Harm van Zon • 15 years ago
The Power of Time Off
[…] unique view about the power of time off. One of those most intriguing parts of his talk is the idea that we spend around…
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Jake Sargeant • 15 years ago
Keep Your Crises Small
[…] the organizational structure / hierarchy. Open door policy means open door. 4. People functioning well together is more important than the thing or idea…
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Bran Dougherty-Johnson • 15 years ago
NATPE 2010 Coverage
[…] address by David Zaslav, president and CEO of Discovery Communications. Zaslav, who oversees operations of content that goes out to no less than 173…
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Dominique Elliott • 15 years ago
Blind’s Heart of Stone
[…] was a simple wire rig placed on top of a box. The promo went on to win all sorts of awards. It looked like…
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Brian Gossett • 15 years ago
Max Hattler’s 1923 & 1925: Q&A
[…] directed the films themselves, with some very interesting results. This time, the idea was to get professional directors in, under which the students would…
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Bran Dougherty-Johnson • 15 years ago
Marvel vs. Capcom 3
Marvel vs. Capcom 3: Fate of Two Worlds teaser trailer Picture 5
Yotam Hadar • 15 years ago
Time Magazine covers Hollywood’s VFX Sweatshops
[…] piece here. “Fundamentally, visual effects is a crappy business,” James Cameron told me … “You don’t make much of a margin. A good year…
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Bran Dougherty-Johnson • 15 years ago
MTV 55DSL + EMA 2010
[…] time, so we thought we’d do a short and sweet round-up post showcasing everything! First we have five new broadcast IDs showcasing MTV’s first…
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Boca Ceravolo • 14 years ago
Nathan Love: NBC Peacock Thanksgiving
[…] the team a few hours to brainstorm on their own, Ryan, Anca and I sat down and conceived the story in about 10 minutes.…
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Brandon Lori • 14 years ago
PES: The Deep
[…] used it as the head of the eel and the lantern fish in The Deep). So I collected lots of tools and metal scraps…
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Brandon Lori • 14 years ago
PES: The Deep
[…] used it as the head of the eel and the lantern fish in The Deep). So I collected lots of tools and metal scraps…
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Brandon Lori • 14 years ago
The Lost Thing: Interview With Shaun Tan
[…] it off and drawing over the top of it to figure out how it might be improved. Since production took place over the time…
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Lilian Darmono • 14 years ago
Fx & Mat: Coke “Siege”
[…] you take in account the night shifts and the lack of lunch breaks due to the amount of work that was needed, it was…
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Brandon Lori • 14 years ago
Sometimes The Stars: Ari Gibson & Jason Pamment
[…] animated and used to create camera moves. A compositor will then add effects plates, animate layers, grade elements and generally fine tune a shot until we’re…
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Lilian Darmono • 14 years ago
Psyop: Fage “Plain”
With the lead-up to F 5 taking up so much of our time at Motionographer, we were admittedly led astray and almost (keyword: almost) let…
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Brandon Lori • 14 years ago
Ned Wenlock: “Apache” for Danger Beach
[…] thing circular (I wasn’t sure what to do with the ends so I put in a divide). 4. Getting rid of the divide altogether,…
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Brandon Lori • 14 years ago
Mac ‘n’ Cheese
[…] Roy and Tom. We asked Guido to work with us; despite of him not graduating, we thought he was a good addition to our…
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Harm van Zon • 13 years ago