Alright, let’s break this down without getting too fancy. The difference between lowercase motion design and uppercase Motion Design isn’t just about grammar—it’s about perception, purpose, and identity. Think of it like the gap between ‘I build houses’ and ‘I’m an architect’. One is a task; the other, a profession.
There are animation awards, and there are design awards—but for most of them, Motion Design is just a category.
But Motion Design isn’t just a category.
F5 EMPATH, renowned for curating spaces where creative minds converge, presents ‘Motionographer’s Day’, a rare chance to engage with the minds driving the evolution of Motion Design, all together in the same venue. From bold animation to avant-garde experimentation, these studios are shaping how we experience visuals in an increasingly digital world.
“This approach might sound unbelievable, even absurd—who would entrust such a pivotal project to an artist without any oversight? Is it just an urban legend in the motion design industry? Perhaps. Is it risky? Maybe.But that’s what makes the reveal so magical. Whether this process is fact or folklore, it’s become part of the mystique of the F5 Opening Titles.”
This time, expect bold, disruptive brilliance: a rising AI star delivering their first-ever New York speech, a legendary advertising icon redefining storytelling, a multifaceted artistic disruptor making waves in their NYC debut, an inclusive Motion Design program rewriting the rules of the industry, and a cutting-edge creative studio hailed as one of the most innovative in the world.
“Even when well-known international studios or projects are mentioned, they’re sometimes unfamiliar, leading to a significant gap in exposure. This self-contained focus limits the creation of work that transcends community boundaries, even when opportunities arise.
When invited to contribute to this article, my hope was to help break through this sense of stagnation and encourage Japanese Motion Designers to look beyond Japan’s borders. If this aspiration resonates, even a little, I would be deeply honored.”
“Motion Design is not just about complex animations and transitions. You can catch people’s attention with a lot of things: Design, Cinematography, Sound Design, Music, Interactivity, and Storytelling. To me, ‘Stack’ is one of those examples that emphasizes rhythm and layout. Sound Design also plays a big part since it heavily highlights the rhythm.”
Essentially, The wait is over—it’s time to unveil the first round of speakers!!!
Are you ready for three electrifying days at the iconic Webster Hall in New York City? Get set for jaw-dropping talks from industry titans that will ignite your imagination and experiences so unforgettable, they’ll have you buzzing with inspiration long after the final curtain falls.
Ah yes, it’s that magical time of year when we dust off our Motionographer®’s semi-reliable crystal ball (now with added AI-powered glitter) and peer into the Motion Design future…
…so grab embrace the absurdity of Nostradamus spirit, and let’s see what wild trends 2025 has in store for the Motion Design community.
