Helios Design Labs / Nokia

What could be better than blowing the crap out of a bunch of consumer electronics? Blowing the crap out of them at six-thousand frames-per-second. And… Read more

Robert Seidel’s new work

Robert Seidel is one of my personal favorites in this industry. He utilizes the same tools that we are all accustomed to in order to… Read more

RIOT Atlanta: Branding From Scratch

Network branding doesn’t get a lot of attention here on Motionographer. We tend to favor the quick-cut, visual slam-dances of advertising and music videos over… Read more

I AM by Tronic

Tronic just finished up this beautiful personal spot, I AM, which aims to bring the voice of the animals back on to the human radar.… Read more

Bob Nelson on Joining Eyeball

With 25 years of ad industry experience under his belt, Bob Nelson recently joined New York City-based design studio Eyeball as President. Given his ties… Read more

GEL 2010 by Thornberg & Forester

The new GEL 2010 opener and introductory titles by Thornberg & Forester are just delightful. This is the kind of project that looks like it… Read more

Q&A: Dark Noir

Maybe there's an approach to crowdsourcing that isn't creatively repulsive or ethically bankrupt. Here's how Red Knuckles, Rafael Grampá and Absolut worked with a few… Read more

Diesel Holographic Fashion Show

It’s been really interesting seeing what new mediums motion graphic design spreads to. Clothing company, Diesel, recently implemented some holographic technology to use in a… Read more

Claude Chabot: Apnee

Claude Chabot’s “Apnée” is a deceptively simple film that uses cleverly conceived 3D scenes to tell a story in a refreshingly innovative way. Each scene… Read more

Superfad: Sprint

Superfad posted a couple new spots for Sprint that fall neatly into my category of “visual essays.” Employing a style that’s reminiscent of the data… Read more

ANNY: Ukiyo-e

QuickTime Version I’m always curious about Japanese motion graphics studios. I know so little about how Asian studios in general are set up, and yet… Read more