Matthias Hoegg: “Upstairs”

If you haven’t already watched Matthias Hoegg’s latest short, “Upstairs,” now is a good time to sink your eyes into it. If you’ve already seen… Read more

Q&A: Dark Noir

[…] and Directed by Rafael Grampá Animation Studio: Red Knuckles Director of Photography: Red Knuckles Red Knuckles Creative Directors: Mario Ucci and Rick Thiele Producer:… Read more

Futurama 3D

[…] part of making this? Hmm, I love retrofuturistic style very much, and the most challenging part for me was to bring this style to… Read more

Best Tutorial Ever?

[…] here as Carey, lays down some great insight into the process of storyboarding and concept development. The title of this post may be a bit… Read more

Charlex: Shape Shifter

[…] fauna and flora. The world begins to form and we follow the story of predator and prey in a heated chase that then shifts… Read more

David Prosser: Matter Fisher

[…] gain some perspective on the distractions we encounter and an attempt to slow something down. It was also hugely cathartic to make a film… Read more

Shilo: Winning the War

Watch “The War” Hand-drawn storyboards Shots from the blue screen shoot Style frames Stills from the finished product Motionographer’s Jon Saunders interviewed Andre Stringer and… Read more

Back to Beijing with Eric Lerner

[…] work, this looks like a pretty big project. Just how big was it? Partizan’s involvement in the spot started nearly a year before completion.… Read more

Nathan Love’s Suicidal Cabbage

Director: Nathan Love Executive Producer: Mike Harry Producer: Derrick Huang Creative Directors: Joe & Kate Burrascano Character Design / Storyboards: Morgan Schweitzer Animatic: Chase Massingill… Read more

Capitu Titles

[…] commissioned to create the opening sequence and interstitials for Capitu, a TV mini-series adaptation of Dom Casmurro, the masterpiece by 19th-century Brazilian novelist Machado… Read more

Hemlock by Tyson Ibele

[…] around that I have to do to figure out how I’ll get a shot done, because I’m already familiar with most of the tools.… Read more

Blind’s Heart of Stone

[…] matte paintings to cut down on the CG work. We were also very disciplined about not using tricky camera movements and instead focused on… Read more