Studio Stories: 12 Years of Ataboy
The origin of Motion Design studios, as told by their founders. By Vikkal Parikh, founder of Ataboy. Editor’s Note: In this series, we’ll hear…
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Staff • 5 months ago
Nickelodeon Global Rebrand | Project Breakdown
Give us a brief introduction to yourself and the studio. My name is Braden Wheeler and I’m an on-the-box creative director (with a general focus…
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Staff • 2 months ago
Animade’s Ed Barrett Chats Inspirations Over the Virtual Water Cooler
Creative Connections: Ed Barrett, Executive Creative Director at Animade, shares how the team keeps spirits up and virtual life exciting. Read on for lots of…
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Bevin McNamara • 4 years ago
Greyscalegorilla shows Cinema 4D 11.5 Physics Test Renders with Mograph 2.0
Greyscalegorilla shows Cinema 4D 11.5 Physics Test Renders with Mograph 2.0
Staff • 15 years ago
RMax Studio, LG “Radio 2.0”
LG “Radio 2.0” by Rmax Studio
Boca Ceravolo • 14 years ago
Amon Tobin ISAM 2.0 – Leviathan
Chicago-based studio Leviathan crafts a creative projection-mapped piece to provide an immersive stage experience for Amon Tobin’s ISAM 2.0 tour. Check out the making of…
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Andres Weber • 12 years ago
e.d.Films (Daniel Gies): Killer AE Rigs
Daniel Gies (aka e.d.Films) keeps killing it with sick After Effects rigs. Some of the most inventive, intelligent rigs I’ve seen and thorough, generous tutorials…
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Michelle Higa Fox • 10 years ago
Ed
Cross the uncanny valley with “Ed.” Created by Chris Jones with Lightwave, Sculptris and Krita and composited with Davinci Resolve Lite (and a boatload of…
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Justin Cone • 10 years ago
Articles and Interviews
A Conversation with Mate Steinforth April 18, 2012 Go! SXSW 2012: Animated Shorts April 10, 2012 Go! Motionographer’s Role in the Industry (Right Now) April…
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Justin Cone • 18 years ago
Not to Scale Brings the Volvo Vox Popular to Life
"If it was up to me, I’d drop it in the sea." "I can see, like, a superhero driving it as a safe car." "I…
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Justin Cone • 17 years ago
Seasons of a creative: Joel Pilger on navigating our changing industry
In the motion design industry, competition is fierce, the landscape is vast and carving out a strategy for success can be an intimidating challenge. We…
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Justin Cone • 8 years ago
Breakdown: Watch Dogs 2.0 opening cinematic by MK12
MK12 breaks down the process behind their opening cinematic for Watch Dogs 2.0, the latest blockbuster game release from Ubisoft.
Justin Cone • 7 years ago
The Furrow gathered top talent to make a series of Covid-19 videos. Read how and then share the videos…
The Furrow walks us through their process of making 20-plus Covid-19 awareness videos based on fact and rooted in positivity.
Bevin McNamara • 4 years ago
Our Bodies. Our Choice. Our Voice.
We invited creative content studio Duke & Duck to talk about their recent showcase with the Dupont Underground Art Gallery. In the shadow Roe V.…
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Stuart Groves • 1 year ago
IKEA Catalogue 2.0
This new interactive video/catalogue for IKEA is simply brilliant. From a purely cinematographic perspective, the quick-cut intro sequences followed by ultra slow-motion shots convey the…
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Justin Cone • 16 years ago
Welcome to Motionographer 2.0
Welcome to Motionographer’s refreshed look. There’s still plenty of work to be done, but it’s time we went ahead and pushed this baby out. Some…
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Justin Cone • 16 years ago
Royale 2.0 launches
Royale relaunches with loads of new work and a podcast of their portfolio
Justin Cone • 16 years ago
Greg Herman: More Chi 2.0
It’s been a long time coming, but Motionographer’s very own Greg Herman has finally relaunched his web presence, More Chi. It was totally worth the…
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Justin Cone • 15 years ago
Sebastian Lange: Flickermood 2.0
Sebastian Lange revisits his Flickermood project
Justin Cone • 15 years ago
Motionographer Jobs 2.0
Photo by Marius Kallhardt Last week, the Motionographer Jobs database went kaput, and we lost all of the job listings. After pulling out my hair,…
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Justin Cone • 15 years ago
